|
Issue |
Title |
|
Vol 6, No 1 (2017): Spring 2017 |
For Those Who Seek Mastery and Personality, by Halit Refiğ |
Abstract
PDF
|
Murat Akser |
|
Vol 7, No 1 (2018): Spring 2018 |
Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media |
Abstract
PDF
|
Zafer Parlak, Mehmet Işık |
|
Vol 7, No 1 (2018): Spring 2018 |
Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema |
Abstract
PDF
|
Murat Akser |
|
Vol 6, No 2 (2017): Fall 2017 |
Women in the Cinema of Nuri Bilge Ceylan |
Abstract
PDF
|
Funda Masdar Kara, Şakir Eşitti |
|
Vol 7, No 1 (2018): Spring 2018 |
Interpersonal Relations as a Tool to Film Directing |
Abstract
PDF
|
Caio Augusto Camargo Bogoni, Renate B. Michel |
|
Vol 7, No 1 (2018): Spring 2018 |
From Box Office to Memory: Telling Stories is not an Innocent Act |
Abstract
PDF
|
Ayla Kanbur |
|
Vol 7, No 1 (2018): Spring 2018 |
Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994) |
Abstract
PDF
|
Emilie Herbert |
|
Vol 6, No 2 (2017): Fall 2017 |
Editorial |
Abstract
PDF
|
Bengisu Bayrak |
|
Vol 6, No 2 (2017): Fall 2017 |
Ceylan's Winter Sleep: From Ambiguity to Nothingness |
Abstract
PDF
|
Aslı Daldal |
|
Vol 7, No 1 (2018): Spring 2018 |
Let’s Make it American: American Remakes of the British Films |
Abstract
PDF
|
Elif Kahraman Dönmez |
|
Vol 6, No 1 (2017): Spring 2017 |
Editorial |
Abstract
PDF
|
Bengisu Bayrak |
|
Vol 3, No 1 (2013): Fall 2013 |
Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love |
Abstract
PDF
|
Murat Akser |
|
Vol 6, No 1 (2017): Spring 2017 |
The politics of spectatorship in the Tree of Wooden Clogs |
Abstract
PDF
|
Ian Dwayne Pettigrew |
|
Vol 3, No 1 (2013): Fall 2013 |
The Role Of The Refugee And The Impact Of Fragmented Identities In Diasporic Filmmakers. A Review Of Dogville By Lars von Trier |
Abstract
PDF
|
Sara Marino |
|
Vol 2, No 2 (2013): Spring 2013 |
Defining Italian Neorealism: A Compulsory Movement |
Abstract
PDF
|
Esma Kartal |
|
Vol 3, No 2 (2014): Spring 2014 |
Review of Masculinity and Gender in Greek Cinema |
Abstract
PDF
|
Erato Basea |
|
Vol 2, No 1 (2012): Fall 2012 |
The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 |
Abstract
PDF
|
Nick Redfern |
|
Vol 4, No 1 (2014): Fall 2014 |
From Past To Present A Cognitive Work On “New Turkish Cinema” |
Abstract
PDF
|
Arif Can Güngör |
|
Vol 1, No 2 (2012) |
The Thin Blue Line: How can we destroy actuality with editing? |
Abstract
PDF
|
Özlem Tuğçe Kaymaz |
|
Vol 4, No 1 (2014): Fall 2014 |
Reading of the Architectural Identity via Cinema |
Abstract
PDF
|
Havva Alkan Bala |
|
Vol 3, No 1 (2013): Fall 2013 |
Fiction Criticizing Reality: Abbas Kiarostami and the Cracked Windshield of Cinema |
Abstract
PDF
|
James Blake Ewing |
|
Vol 3, No 2 (2014): Spring 2014 |
Books Received |
Abstract
PDF
|
Murat Akser |
|
Vol 3, No 2 (2014): Spring 2014 |
Editorial |
Abstract
PDF
|
Murat Akser |
|
Vol 2, No 2 (2013): Spring 2013 |
Chop Shop and Foreign Parts settle on the fuzzy boundary between fiction and documentary: new representations of New York City in Contemporary Cinema. |
Abstract
PDF
|
Fernando Canet |
|
Vol 3, No 2 (2014): Spring 2014 |
Bicycles, Airplanes and Peter Pans: Flying Scenes in Steven Spielberg's Films |
Abstract
PDF
|
Emilio Audissino |
|
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