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Issue Title
 
Vol 2, No 1 (2012): Fall 2012 Islam goes Hollywood. An exploratory study on Islam in Turkish cinema Abstract  PDF
Petra de Bruijn
 
Vol 5, No 1 (2015): Fall 2015 Between genres and styles in the films of Robert Bresson Abstract  PDF
Luíza Beatriz Alvim
 
Vol 5, No 1 (2015): Fall 2015 Monstrosity and War Memories in Latin American Post-conflict Cinema Abstract  PDF
Maria Chiara D'Argenio
 
Vol 3, No 2 (2014): Spring 2014 Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira Abstract  PDF
Susana Viegas
 
Vol 1, No 2 (2012) Return to Reality: Towards A More Tactile Cognition of Film Theory Abstract  PDF
Murat Akser
 
Vol 5, No 1 (2015): Fall 2015 Cowboys and kings: The coming of age film in 1990s Irish cinema Abstract  PDF
Carlos Menendez-Otero
 
Vol 3, No 1 (2013): Fall 2013 Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship Abstract  PDF
Yasemin Kılınçarslan
 
Vol 1, No 2 (2012) Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Abstract  PDF
Selen Gokcem
 
Vol 1, No 2 (2012) The Thin Blue Line: How can we destroy actuality with editing? Abstract  PDF
Özlem Tuğçe Kaymaz
 
Vol 4, No 1 (2014): Fall 2014 Reading of the Architectural Identity via Cinema Abstract  PDF
Havva Alkan Bala
 
Vol 3, No 1 (2013): Fall 2013 Fiction Criticizing Reality: Abbas Kiarostami and the Cracked Windshield of Cinema Abstract  PDF
James Blake Ewing
 
Vol 3, No 2 (2014): Spring 2014 Books Received Abstract  PDF
Murat Akser
 
Vol 3, No 2 (2014): Spring 2014 Editorial Abstract  PDF
Murat Akser
 
Vol 2, No 2 (2013): Spring 2013 Chop Shop and Foreign Parts settle on the fuzzy boundary between fiction and documentary: new representations of New York City in Contemporary Cinema. Abstract  PDF
Fernando Canet
 
Vol 3, No 2 (2014): Spring 2014 Bicycles, Airplanes and Peter Pans: Flying Scenes in Steven Spielberg's Films Abstract  PDF
Emilio Audissino
 
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