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Issue |
Title |
|
Vol 8, No 1 (2020): Winter 2020 |
Rethinking Pornography within the Context of the New French Extremity: The Case of Baise-Moi |
Abstract
PDF
|
Sirin Fulya Erensoy |
|
Vol 7, No 2 (2019): Spring/Summer 2019 |
Editorial |
Abstract
PDF
|
Murat Akser |
|
Vol 9, No 2 (2021): Fall 2021 |
Locating the Storyteller in Silent Waters: Sabiha Sumar’s Cinematic Tale of Shared Histories and Divided Identities |
Abstract
PDF
|
Rahat Imran |
|
Vol 7, No 1 (2018): Spring 2018 |
Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994) |
Abstract
PDF
|
Emilie Herbert |
|
Vol 6, No 2 (2017): Fall 2017 |
Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence |
Abstract
PDF
|
Iqbal Shailo |
|
Vol 7, No 2 (2019): Spring/Summer 2019 |
Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence |
Abstract
PDF
|
Iqbal Shailo |
|
Vol 5, No 2 (2016): Spring 2016 |
Power, command and violence in von Trier’s Manderlay. A political and philosophical analysis of pseudo-democracies. |
Abstract
PDF
|
Sara Marino |
|
Vol 10, No 1 (2022): Fall 2022 |
Politicizing the superhero genre: The case of Watchmen (HBO, 2019) |
Abstract
PDF
|
Evdokia Stefanopoulou |
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