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Issue |
Title |
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Vol 8, No 1 (2020): Winter 2020 |
Review of The Dynamic Frame: Camera Movement in Classical Hollywood |
Abstract
PDF
|
Dorian Bowen |
|
Vol 7, No 2 (2019): Spring/Summer 2019 |
Editorial |
Abstract
PDF
|
Murat Akser |
|
Vol 6, No 2 (2017): Fall 2017 |
Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence |
Abstract
PDF
|
Iqbal Shailo |
|
Vol 7, No 2 (2019): Spring/Summer 2019 |
Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence |
Abstract
PDF
|
Iqbal Shailo |
|
Vol 8, No 1 (2020): Winter 2020 |
Review of Cinema/Politics/Philosophy |
Abstract
PDF
|
Anthony James Ballas |
|
Vol 5, No 1 (2015): Fall 2015 |
Cowboys and kings: The coming of age film in 1990s Irish cinema |
Abstract
PDF
|
Carlos Menendez-Otero |
|
Vol 3, No 2 (2014): Spring 2014 |
Editorial |
Abstract
PDF
|
Murat Akser |
|
Vol 3, No 2 (2014): Spring 2014 |
Bicycles, Airplanes and Peter Pans: Flying Scenes in Steven Spielberg's Films |
Abstract
PDF
|
Emilio Audissino |
|
Vol 3, No 2 (2014): Spring 2014 |
Pan-American Highways: American Tourism to Mexico and 1950s Hollywood film |
Abstract
PDF
|
Stephanie Fuller |
|
Vol 3, No 2 (2014): Spring 2014 |
It Is a Man's World: Romantic Relief In The Hollywood Blockbuster |
Abstract
PDF
|
Esma Kartal |
|
Vol 2, No 2 (2013): Spring 2013 |
The American Dark Ages and the Terrorist Witch in Season of the Witch |
Abstract
PDF
|
Tom Vercruysse |
|
Vol 2, No 2 (2013): Spring 2013 |
Same Story But Different Cover: The Substitution Principle in Religion and Understanding It Through Watching Films |
Abstract
PDF
|
Gökhan Uğur |
|
Vol 2, No 1 (2012): Fall 2012 |
The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 |
Abstract
PDF
|
Nick Redfern |
|
Vol 5, No 2 (2016): Spring 2016 |
Tragicomedy, Melodrama, and Genre in Early Sound Films: The Case of Two “Sad Clown” Musicals |
Abstract
PDF
|
Michael G. Garber |
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1 - 14 of 14 Items |
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