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Vol 8, No 1 (2020): Winter 2020 Rethinking Pornography within the Context of the New French Extremity: The Case of Baise-Moi Abstract  PDF
Sirin Fulya Erensoy
 
Vol 9, No 1 (2021): Spring 2021 Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture Abstract  PDF
Osakue S. Omoera, Charles C. Okwuowulu
 
Vol 9, No 2 (2021): Fall 2021 Some Problems with Gendered Subjectivity and Representation: Baise Moi and Hard-Core Pornography Abstract  PDF
Temmuz Süreyya Gürbüz
 
Vol 9, No 1 (2021): Spring 2021 Diversity and Inclusion in Film, Television and Media Sector: Policy Alternatives for an Inclusive Film Industry and Training Abstract  PDF
Murat Akser
 
Vol 6, No 2 (2017): Fall 2017 Stereotype Representation of Women in Nigerian Films Abstract  PDF
Andrew Ali Ibbi
 
Vol 6, No 2 (2017): Fall 2017 Women Trauma and Stereotype Tradition in Tunde Kelani’s Film, Thunderbolt Abstract  PDF
Olugbenga Elegbe
 
Vol 9, No 2 (2021): Fall 2021 Changes in Women’s Representations in Turkish Cinema from the 1980s to the Early 1990s Abstract  PDF
Fatma Özen
 
Vol 1, No 2 (2012) The Thin Blue Line: How can we destroy actuality with editing? Abstract  PDF
Özlem Tuğçe Kaymaz
 
Vol 3, No 2 (2014): Spring 2014 Review of Monster Culture in the 21st Century: A Reader Abstract  PDF
Shane Brown
 
Vol 3, No 2 (2014): Spring 2014 Review of Postfeminism and Paternity in Contemporary U.S. Film: Framing Fatherhood Abstract  PDF
Elaine Lennon
 
Vol 3, No 2 (2014): Spring 2014 Review of Masculinity and Gender in Greek Cinema Abstract  PDF
Erato Basea
 
Vol 9, No 2 (2021): Fall 2021 Coming of Age in the Diaspora: Bollywood and the Representation of Second Generation British Indian Diaspora Abstract  PDF
Utsa Mukherjee, Anil Pradhan, Ravinder Barn
 
Vol 3, No 2 (2014): Spring 2014 Rudaali in Film Narrative: Looking Through the Feminist Lens Abstract  PDF
Reetamoni Das, Dr Debarshi Prasad Nath
 
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