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Issue Title
 
Vol 6, No 1 (2017): Spring 2017 For Those Who Seek Mastery and Personality, by Halit Refiğ Abstract  PDF
Murat Akser
 
Vol 8, No 2 (2020): Fall 2020 A Reading of Bhabendra Nath Saikia's Films from Feminist Lens Abstract  PDF
Minakshi Dutta
 
Vol 9, No 1 (2021): Spring 2021 The world of Assamese celluloid: ‘yesterday and today’ Abstract  PDF
Violet Barman Deka
 
Vol 7, No 1 (2018): Spring 2018 Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media Abstract  PDF
Zafer Parlak, Mehmet Işık
 
Vol 7, No 1 (2018): Spring 2018 Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema Abstract  PDF
Murat Akser
 
Vol 10, No 1 (2022): Fall 2022 Güneş Ne Zaman Doğacak?: A different approach from the perspective of Turkish cinematic art Abstract  PDF
Mehmet Yılmazata, Erdem Güven
 
Vol 6, No 2 (2017): Fall 2017 Women in the Cinema of Nuri Bilge Ceylan Abstract  PDF
Funda Masdar Kara, Şakir Eşitti
 
Vol 9, No 2 (2021): Fall 2021 Mapping Yeşilçam: A relational approach to the Turkish film industry Abstract  PDF
Serkan Savk, Burak Dogu
 
Vol 9, No 1 (2021): Spring 2021 The Liminal and the Surreal: The Space of Limbo and Dreams in Luis Bunuel’s The Discreet Charm of the Bourgeoisie Abstract  PDF
Miniature Malekpour
 
Vol 7, No 1 (2018): Spring 2018 Interpersonal Relations as a Tool to Film Directing Abstract  PDF
Caio Augusto Camargo Bogoni, Renate B. Michel
 
Vol 10, No 1 (2022): Fall 2022 The Ambivalent Object(s) of America in Wim Wenders Abstract  PDF
Laurent Shervington
 
Vol 7, No 1 (2018): Spring 2018 From Box Office to Memory: Telling Stories is not an Innocent Act Abstract  PDF
Ayla Kanbur
 
Vol 8, No 1 (2020): Winter 2020 Cinema And Society In The Light Of Emile Zola’s Naturalism Abstract  PDF
Hossein Shahin Karbalaeetaher
 
Vol 7, No 1 (2018): Spring 2018 Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994) Abstract  PDF
Emilie Herbert
 
Vol 6, No 2 (2017): Fall 2017 Editorial Abstract  PDF
Bengisu Bayrak
 
Vol 8, No 2 (2020): Fall 2020 Wild Pear Trees, Patrimonial Legacies: Father-Son Relationship in Nuri Bilge Ceylan's The Wild Pear Tree Abstract  PDF
Coşkun Liktor
 
Vol 8, No 1 (2020): Winter 2020 Review of The Dynamic Frame: Camera Movement in Classical Hollywood Abstract  PDF
Dorian Bowen
 
Vol 7, No 1 (2018): Spring 2018 Let’s Make it American: American Remakes of the British Films Abstract  PDF
Elif Kahraman Dönmez
 
Vol 10, No 1 (2022): Fall 2022 Exploring Modes of Surveillance in Films Abstract  PDF
Matteo Ciccognani
 
Vol 8, No 1 (2020): Winter 2020 Cinema, Human Rights And Development: The Cinema As A Pedagogical Practice Abstract  PDF
Leilane Serratine Grubba
 
Vol 6, No 2 (2017): Fall 2017 Ceylan's Winter Sleep: From Ambiguity to Nothingness Abstract  PDF
Aslı Daldal
 
Vol 8, No 2 (2020): Fall 2020 “Youtuber Movies” From New Media to the Cinema Abstract  PDF
Barış Tolga Ekinci
 
Vol 8, No 2 (2020): Fall 2020 Transformation of Comedy with Streaming Services: The Case of Bartu Ben Abstract  PDF
Nisa Yıldırım
 
Vol 3, No 1 (2013): Fall 2013 Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love Abstract  PDF
Murat Akser
 
Vol 10, No 1 (2022): Fall 2022 The Black magic: An aesthetic analysis of its illustration in the sociohorteur film: Dachra Abstract  PDF
Faten Ridene
 
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