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Issue Title
 
Vol 6, No 1 (2017): Spring 2017 For Those Who Seek Mastery and Personality, by Halit Refiğ Abstract  PDF
Murat Akser
 
Vol 7, No 1 (2018): Spring 2018 Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media Abstract  PDF
Zafer Parlak, Mehmet Işık
 
Vol 7, No 1 (2018): Spring 2018 Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema Abstract  PDF
Murat Akser
 
Vol 6, No 2 (2017): Fall 2017 Women in the Cinema of Nuri Bilge Ceylan Abstract  PDF
Funda Masdar Kara, Şakir Eşitti
 
Vol 7, No 1 (2018): Spring 2018 From Box Office to Memory: Telling Stories is not an Innocent Act Abstract  PDF
Ayla Kanbur
 
Vol 7, No 1 (2018): Spring 2018 Interpersonal Relations as a Tool to Film Directing Abstract  PDF
Caio Augusto Camargo Bogoni, Renate B. Michel
 
Vol 6, No 2 (2017): Fall 2017 Editorial Abstract  PDF
Bengisu Bayrak
 
Vol 7, No 1 (2018): Spring 2018 Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994) Abstract  PDF
Emilie Herbert
 
Vol 7, No 1 (2018): Spring 2018 Let’s Make it American: American Remakes of the British Films Abstract  PDF
Elif Kahraman Dönmez
 
Vol 6, No 2 (2017): Fall 2017 Ceylan's Winter Sleep: From Ambiguity to Nothingness Abstract  PDF
Aslı Daldal
 
Vol 6, No 1 (2017): Spring 2017 Editorial Abstract  PDF
Bengisu Bayrak
 
Vol 3, No 1 (2013): Fall 2013 Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love Abstract  PDF
Murat Akser
 
Vol 6, No 1 (2017): Spring 2017 The politics of spectatorship in the Tree of Wooden Clogs Abstract  PDF
Ian Dwayne Pettigrew
 
Vol 3, No 2 (2014): Spring 2014 Review of Masculinity and Gender in Greek Cinema Abstract  PDF
Erato Basea
 
Vol 2, No 1 (2012): Fall 2012 The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 Abstract  PDF
Nick Redfern
 
Vol 4, No 1 (2014): Fall 2014 From Past To Present A Cognitive Work On “New Turkish Cinema” Abstract  PDF
Arif Can Güngör
 
Vol 3, No 1 (2013): Fall 2013 The Role Of The Refugee And The Impact Of Fragmented Identities In Diasporic Filmmakers. A Review Of Dogville By Lars von Trier Abstract  PDF
Sara Marino
 
Vol 2, No 2 (2013): Spring 2013 Defining Italian Neorealism: A Compulsory Movement Abstract  PDF
Esma Kartal
 
Vol 5, No 1 (2015): Fall 2015 Between genres and styles in the films of Robert Bresson Abstract  PDF
Luíza Beatriz Alvim
 
Vol 5, No 1 (2015): Fall 2015 Monstrosity and War Memories in Latin American Post-conflict Cinema Abstract  PDF
Maria Chiara D'Argenio
 
Vol 3, No 2 (2014): Spring 2014 Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira Abstract  PDF
Susana Viegas
 
Vol 1, No 2 (2012) Return to Reality: Towards A More Tactile Cognition of Film Theory Abstract  PDF
Murat Akser
 
Vol 5, No 1 (2015): Fall 2015 Cowboys and kings: The coming of age film in 1990s Irish cinema Abstract  PDF
Carlos Menendez-Otero
 
Vol 3, No 1 (2013): Fall 2013 Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship Abstract  PDF
Yasemin Kılınçarslan
 
Vol 1, No 2 (2012) Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Abstract  PDF
Selen Gokcem
 
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