Browse Title Index


 
Issue Title
 
Vol 9, No 1 (2021): Spring 2021 Review of Shoe Reels: The History and Philosophy of Footwear in Film Abstract   PDF
Nilay Ulusoy
 
Vol 3, No 2 (2014): Spring 2014 Review of Terrence Malick: Film and Philosophy Abstract   PDF
Emre Çağlayan
 
Vol 5, No 2 (2016): Spring 2016 Review of The Bloomsbury Companions to Contemporary Film-makers: Peter Jackson Details   PDF
María Seijo-Richart
 
Vol 3, No 2 (2014): Spring 2014 Review of The Drift: Affect, Adaptation and New Perspectives on Fidelity Abstract   PDF
Rachel Barraclough
 
Vol 8, No 1 (2020): Winter 2020 Review of The Dynamic Frame: Camera Movement in Classical Hollywood Abstract   PDF
Dorian Bowen
 
Vol 8, No 2 (2020): Fall 2020 Review of The Mummy on Screen: Orientalism and Monstrosity in Horror Cinema Abstract   PDF
Sebastián Francisco Maydana
 
Vol 8, No 2 (2020): Fall 2020 Review of The Supernatural Sublime: The Wondrous Ineffability of the Everyday in Films from Mexico and Spain Abstract   PDF
Shannon Skelton
 
Vol 9, No 1 (2021): Spring 2021 Review of Theorizing Film Through Contemporary Art: Expanding Cinema Abstract   PDF
Melanie Wilmink
 
Vol 9, No 1 (2021): Spring 2021 Review of Towards A Political Aesthetics of Cinema: The Outside of Film Abstract   PDF
Marco Poloni
 
Vol 3, No 2 (2014): Spring 2014 Review of Vertov, Snow, Farocki: Machine Vision and the Posthuman Abstract   PDF
Daniel Binns
 
Vol 3, No 2 (2014): Spring 2014 Rudaali in Film Narrative: Looking Through the Feminist Lens Abstract   PDF
Reetamoni Das, Dr Debarshi Prasad Nath
 
Vol 2, No 2 (2013): Spring 2013 Same Story But Different Cover: The Substitution Principle in Religion and Understanding It Through Watching Films Abstract   PDF
Gökhan Uğur
 
Vol 6, No 1 (2017): Spring 2017 Same-sex love in Muslim cultures through the lens of Hindustani Cinema Abstract   PDF
Ayesha Arfeen
 
Vol 7, No 2 (2019): Spring/Summer 2019 Samsara documentary: narrative and discourse analysis and a possible interpretation Abstract   PDF
Ricardo Henrique Almeida Dias
 
Vol 5, No 2 (2016): Spring 2016 Screening the Urban: An Analysis of the Urban Life and Subjectivities in the Assamese Films of Bhabendra Nath Saikia and Jahnu Barua Abstract   PDF
Minakshi Dutta
 
Vol 1, No 2 (2012) Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production) Abstract   PDF
Silvia R Tandeciarz
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication Sedimentations: Some Thoughts on Schoenberg’s Musical Accompaniment to a Cinematographic Scene Abstract   PDF
David Ryan
 
Vol 1, No 2 (2012) Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light Abstract   PDF
Esma Kartal
 
Vol 8, No 2 (2020): Fall 2020 Shattered Identity of Immigrant Artist and Creation of Art in a Hybridized Space: The Case Study of A Girl Walks Home Alone at Night Abstract   PDF
Hoda Shabrang
 
Vol 5, No 1 (2015): Fall 2015 Sleaze, Slur... and the Search for a Sanitized Identity: Bhojpuri Media at a Crossroads Abstract   PDF
Madhusri Shrivastava
 
Vol 7, No 2 (2019): Spring/Summer 2019 Star Wars: The Force Awakens [the Western Pleasure Principle] Abstract   PDF
Alexander S Rose
 
Vol 6, No 2 (2017): Fall 2017 Stereotype Representation of Women in Nigerian Films Abstract   PDF
Andrew Ali Ibbi
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication Strangers No More: the Initial Hitchcock murder Abstract   PDF
Vlad Dima
 
Vol 4, No 1 (2014): Fall 2014 Subtitling in the Nigerian Film Industry, Informative or Misleading? Abstract   PDF
Andrew Ali Ibbi
 
Vol 3, No 2 (2014): Spring 2014 Technology and the Turkish Mind: Internet Animation as Counter Culture in Turkey Abstract   PDF
Murat Akser
 
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