Browse Title Index


 
Issue Title
 
Vol 7, No 1 (2018): Spring 2018 Global Cinematic Cities: New Landscape of Film and Media Abstract   PDF
Maria Korolkova
 
Vol 7, No 1 (2018): Spring 2018 Going Beyond Boundaries: There is a Way and the Use of English Medium in Hausa Film Industry Abstract   PDF
Muhammad Muhsin Ibrahim, Aliyu Yakubu Yusuf
 
Vol 7, No 1 (2018): Spring 2018 Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema Abstract   PDF
Murat Akser
 
Vol 6, No 1 (2017): Spring 2017 HBO Effect Abstract   PDF
Max Sexton
 
Vol 1, No 2 (2012) Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008) Abstract   PDF
Katrin B Mascha
 
Vol 3, No 1 (2013): Fall 2013 Hollywood, The American Image And The Global Film Industry Abstract   PDF
Andrew Ali Ibbi
 
Vol 6, No 2 (2017): Fall 2017 Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries Abstract   PDF
Alon Lazar, Tal Litvak Hirsch
 
Vol 5, No 2 (2016): Spring 2016 House of Affection: On the Way to the School Abstract   PDF
Volkan Yücel
 
Vol 5, No 2 (2016): Spring 2016 Howard Hughes and the Cold War Aviation Film Jet Pilot (1957) Abstract   PDF
Richard Andrew Voeltz
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication Identity, Cultural Representation and Feminism in the Movie Head-On Abstract   PDF
Sandra Berchtel
 
Vol 7, No 2 (2019): Spring/Summer 2019 Inner and deeper: Motifs of fiction in Werner Herzog's films Abstract   PDF
Chantal Poch
 
Vol 7, No 1 (2018): Spring 2018 Interpersonal Relations as a Tool to Film Directing Abstract   PDF
Caio Augusto Camargo Bogoni, Renate B. Michel
 
Vol 2, No 1 (2012): Fall 2012 Islam goes Hollywood. An exploratory study on Islam in Turkish cinema Abstract   PDF
Petra de Bruijn
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication Istanbul Crossroads Establishing Mutual Understanding and Inter-Cultural Dialog through Images Abstract   PDF
Vedat Akman
 
Vol 3, No 2 (2014): Spring 2014 It Is a Man's World: Romantic Relief In The Hollywood Blockbuster Abstract   PDF
Esma Kartal
 
Vol 9, No 1 (2021): Spring 2021 I’ll be back? The Deconstruction of the 1980s and the 1990s Hard Body Movies Abstract   PDF
Moshe Machlev
 
Vol 6, No 1 (2017): Spring 2017 Kingdom of Heaven and its ideological message Abstract   PDF
Yiou Liu
 
Vol 5, No 2 (2016): Spring 2016 Labyrinths and Illusions in David Lynch’s Mulholland Drive and Inland Empire Abstract   PDF
Ebrahim Barzegar
 
Vol 3, No 1 (2013): Fall 2013 Law, Urban Violence and Order: Cop Shows as a Brazilian TV Genre Abstract   PDF
Luiza Lusvarghi
 
Vol 7, No 1 (2018): Spring 2018 Let’s Make it American: American Remakes of the British Films Abstract   PDF
Elif Kahraman Dönmez
 
Vol 2, No 2 (2013): Spring 2013 Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography Abstract   PDF
Donna Ong
 
Vol 8, No 1 (2020): Winter 2020 Man In A Hat: Martin Balsam And The Refining Of Male Character Acting In American Films, 1957-1976 Abstract   PDF
John Thomas McGuire
 
Vol 2, No 1 (2012): Fall 2012 Memory, Identity and Desire: A Psychoanalytic Reading of David Lynch’s Mulholland Drive Abstract   PDF
Murat Akser
 
Vol 7, No 2 (2019): Spring/Summer 2019 Miyazakiworld: A Life in Art Abstract   PDF
Aycin Ergin Akdas
 
Vol 5, No 1 (2015): Fall 2015 Monstrosity and War Memories in Latin American Post-conflict Cinema Abstract   PDF
Maria Chiara D'Argenio
 
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