Issue Title
Vol 9, No 2 (2021): Fall 2021 Changes in Women’s Representations in Turkish Cinema from the 1980s to the Early 1990s Abstract  PDF
Fatma Özen
Vol 6, No 1 (2017): Spring 2017 Editorial Abstract  PDF
Bengisu Bayrak
Vol 9, No 1 (2021): Spring 2021 The Social Implications of Metaphor in Bong Joon-ho’s Parasite Abstract  PDF
Alireza Farahbakhsh, Ramtin Ebrahimi
Vol 8, No 2 (2020): Fall 2020 Transformation of Comedy with Streaming Services: The Case of Bartu Ben Abstract  PDF
Nisa Yıldırım
Vol 6, No 1 (2017): Spring 2017 The politics of spectatorship in the Tree of Wooden Clogs Abstract  PDF
Ian Dwayne Pettigrew
Vol 3, No 2 (2014): Spring 2014 Review of Masculinity and Gender in Greek Cinema Abstract  PDF
Erato Basea
Vol 2, No 1 (2012): Fall 2012 The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 Abstract  PDF
Nick Redfern
Vol 8, No 1 (2020): Winter 2020 Review of Cinema/Politics/Philosophy Abstract  PDF
Anthony James Ballas
Vol 4, No 1 (2014): Fall 2014 From Past To Present A Cognitive Work On “New Turkish Cinema” Abstract  PDF
Arif Can Güngör
Vol 3, No 1 (2013): Fall 2013 The Role Of The Refugee And The Impact Of Fragmented Identities In Diasporic Filmmakers. A Review Of Dogville By Lars von Trier Abstract  PDF
Sara Marino
Vol 2, No 2 (2013): Spring 2013 Defining Italian Neorealism: A Compulsory Movement Abstract  PDF
Esma Kartal
Vol 5, No 2 (2016): Spring 2016 Screening the Urban: An Analysis of the Urban Life and Subjectivities in the Assamese Films of Bhabendra Nath Saikia and Jahnu Barua Abstract  PDF
Minakshi Dutta
Vol 3, No 2 (2014): Spring 2014 Review of Guillermo del Toro: Film as Alchemic Art Abstract  PDF
Ian Pettigrew
Vol 2, No 1 (2012): Fall 2012 Islam goes Hollywood. An exploratory study on Islam in Turkish cinema Abstract  PDF
Petra de Bruijn
Vol 5, No 1 (2015): Fall 2015 Between genres and styles in the films of Robert Bresson Abstract  PDF
Luíza Beatriz Alvim
Vol 5, No 1 (2015): Fall 2015 Monstrosity and War Memories in Latin American Post-conflict Cinema Abstract  PDF
Maria Chiara D'Argenio
Vol 3, No 2 (2014): Spring 2014 Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira Abstract  PDF
Susana Viegas
Vol 1, No 2 (2012) Return to Reality: Towards A More Tactile Cognition of Film Theory Abstract  PDF
Murat Akser
Vol 9, No 2 (2021): Fall 2021 Coming of Age in the Diaspora: Bollywood and the Representation of Second Generation British Indian Diaspora Abstract  PDF
Utsa Mukherjee, Anil Pradhan, Ravinder Barn
Vol 5, No 1 (2015): Fall 2015 Cowboys and kings: The coming of age film in 1990s Irish cinema Abstract  PDF
Carlos Menendez-Otero
Vol 8, No 1 (2020): Winter 2020 Becoming-Animal in the Narrative and the Form of Reha Erdem’s Kosmos Abstract  PDF
Suphi Keskin, Burcu Baykan
Vol 3, No 1 (2013): Fall 2013 Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship Abstract  PDF
Yasemin Kılınçarslan
Vol 1, No 2 (2012) Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Abstract  PDF
Selen Gokcem
Vol 1, No 2 (2012) The Thin Blue Line: How can we destroy actuality with editing? Abstract  PDF
Özlem Tuğçe Kaymaz
Vol 4, No 1 (2014): Fall 2014 Reading of the Architectural Identity via Cinema Abstract  PDF
Havva Alkan Bala
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