|
Issue |
Title |
|
Vol 9, No 2 (2021): Fall 2021 |
Changes in Women’s Representations in Turkish Cinema from the 1980s to the Early 1990s |
Abstract
PDF
|
Fatma Özen |
|
Vol 6, No 1 (2017): Spring 2017 |
Editorial |
Abstract
PDF
|
Bengisu Bayrak |
|
Vol 9, No 1 (2021): Spring 2021 |
The Social Implications of Metaphor in Bong Joon-ho’s Parasite |
Abstract
PDF
|
Alireza Farahbakhsh, Ramtin Ebrahimi |
|
Vol 8, No 2 (2020): Fall 2020 |
Transformation of Comedy with Streaming Services: The Case of Bartu Ben |
Abstract
PDF
|
Nisa Yıldırım |
|
Vol 6, No 1 (2017): Spring 2017 |
The politics of spectatorship in the Tree of Wooden Clogs |
Abstract
PDF
|
Ian Dwayne Pettigrew |
|
Vol 3, No 2 (2014): Spring 2014 |
Review of Masculinity and Gender in Greek Cinema |
Abstract
PDF
|
Erato Basea |
|
Vol 2, No 1 (2012): Fall 2012 |
The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 |
Abstract
PDF
|
Nick Redfern |
|
Vol 8, No 1 (2020): Winter 2020 |
Review of Cinema/Politics/Philosophy |
Abstract
PDF
|
Anthony James Ballas |
|
Vol 4, No 1 (2014): Fall 2014 |
From Past To Present A Cognitive Work On “New Turkish Cinema” |
Abstract
PDF
|
Arif Can Güngör |
|
Vol 3, No 1 (2013): Fall 2013 |
The Role Of The Refugee And The Impact Of Fragmented Identities In Diasporic Filmmakers. A Review Of Dogville By Lars von Trier |
Abstract
PDF
|
Sara Marino |
|
Vol 2, No 2 (2013): Spring 2013 |
Defining Italian Neorealism: A Compulsory Movement |
Abstract
PDF
|
Esma Kartal |
|
Vol 5, No 2 (2016): Spring 2016 |
Screening the Urban: An Analysis of the Urban Life and Subjectivities in the Assamese Films of Bhabendra Nath Saikia and Jahnu Barua |
Abstract
PDF
|
Minakshi Dutta |
|
Vol 3, No 2 (2014): Spring 2014 |
Review of Guillermo del Toro: Film as Alchemic Art |
Abstract
PDF
|
Ian Pettigrew |
|
Vol 2, No 1 (2012): Fall 2012 |
Islam goes Hollywood. An exploratory study on Islam in Turkish cinema |
Abstract
PDF
|
Petra de Bruijn |
|
Vol 5, No 1 (2015): Fall 2015 |
Between genres and styles in the films of Robert Bresson |
Abstract
PDF
|
Luíza Beatriz Alvim |
|
Vol 5, No 1 (2015): Fall 2015 |
Monstrosity and War Memories in Latin American Post-conflict Cinema |
Abstract
PDF
|
Maria Chiara D'Argenio |
|
Vol 3, No 2 (2014): Spring 2014 |
Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira |
Abstract
PDF
|
Susana Viegas |
|
Vol 1, No 2 (2012) |
Return to Reality: Towards A More Tactile Cognition of Film Theory |
Abstract
PDF
|
Murat Akser |
|
Vol 9, No 2 (2021): Fall 2021 |
Coming of Age in the Diaspora: Bollywood and the Representation of Second Generation British Indian Diaspora |
Abstract
PDF
|
Utsa Mukherjee, Anil Pradhan, Ravinder Barn |
|
Vol 5, No 1 (2015): Fall 2015 |
Cowboys and kings: The coming of age film in 1990s Irish cinema |
Abstract
PDF
|
Carlos Menendez-Otero |
|
Vol 8, No 1 (2020): Winter 2020 |
Becoming-Animal in the Narrative and the Form of Reha Erdem’s Kosmos |
Abstract
PDF
|
Suphi Keskin, Burcu Baykan |
|
Vol 3, No 1 (2013): Fall 2013 |
Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship |
Abstract
PDF
|
Yasemin Kılınçarslan |
|
Vol 1, No 2 (2012) |
Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man |
Abstract
PDF
|
Selen Gokcem |
|
Vol 1, No 2 (2012) |
The Thin Blue Line: How can we destroy actuality with editing? |
Abstract
PDF
|
Özlem Tuğçe Kaymaz |
|
Vol 4, No 1 (2014): Fall 2014 |
Reading of the Architectural Identity via Cinema |
Abstract
PDF
|
Havva Alkan Bala |
|
26 - 50 of 60 Items |
<< < 1 2 3 > >> |