Issue Title
Vol 6, No 1 (2017): Spring 2017 The politics of spectatorship in the Tree of Wooden Clogs Abstract  PDF
Ian Dwayne Pettigrew
Vol 4, No 1 (2014): Fall 2014 From Past To Present A Cognitive Work On “New Turkish Cinema” Abstract  PDF
Arif Can Güngör
Vol 3, No 1 (2013): Fall 2013 The Role Of The Refugee And The Impact Of Fragmented Identities In Diasporic Filmmakers. A Review Of Dogville By Lars von Trier Abstract  PDF
Sara Marino
Vol 2, No 2 (2013): Spring 2013 Defining Italian Neorealism: A Compulsory Movement Abstract  PDF
Esma Kartal
Vol 3, No 2 (2014): Spring 2014 Review of Masculinity and Gender in Greek Cinema Abstract  PDF
Erato Basea
Vol 2, No 1 (2012): Fall 2012 The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 Abstract  PDF
Nick Redfern
Vol 8, No 1 (2020): Winter 2020 Review of Cinema/Politics/Philosophy Abstract  PDF
Anthony James Ballas
Vol 9, No 2 (2021): Fall 2021 Coming of Age in the Diaspora: Bollywood and the Representation of Second Generation British Indian Diaspora Abstract  PDF
Utsa Mukherjee, Anil Pradhan, Ravinder Barn
Vol 5, No 1 (2015): Fall 2015 Cowboys and kings: The coming of age film in 1990s Irish cinema Abstract  PDF
Carlos Menendez-Otero
Vol 8, No 1 (2020): Winter 2020 Becoming-Animal in the Narrative and the Form of Reha Erdem’s Kosmos Abstract  PDF
Suphi Keskin, Burcu Baykan
Vol 3, No 1 (2013): Fall 2013 Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship Abstract  PDF
Yasemin Kılınçarslan
Vol 1, No 2 (2012) Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Abstract  PDF
Selen Gokcem
Vol 1, No 2 (2012) The Thin Blue Line: How can we destroy actuality with editing? Abstract  PDF
Özlem Tuğçe Kaymaz
Vol 4, No 1 (2014): Fall 2014 Reading of the Architectural Identity via Cinema Abstract  PDF
Havva Alkan Bala
Vol 3, No 1 (2013): Fall 2013 Fiction Criticizing Reality: Abbas Kiarostami and the Cracked Windshield of Cinema Abstract  PDF
James Blake Ewing
Vol 3, No 2 (2014): Spring 2014 Books Received Abstract  PDF
Murat Akser
Vol 3, No 2 (2014): Spring 2014 Editorial Abstract  PDF
Murat Akser
Vol 2, No 2 (2013): Spring 2013 Chop Shop and Foreign Parts settle on the fuzzy boundary between fiction and documentary: new representations of New York City in Contemporary Cinema. Abstract  PDF
Fernando Canet
Vol 3, No 2 (2014): Spring 2014 Bicycles, Airplanes and Peter Pans: Flying Scenes in Steven Spielberg's Films Abstract  PDF
Emilio Audissino
Vol 7, No 2 (2019): Spring/Summer 2019 Inner and deeper: Motifs of fiction in Werner Herzog's films Abstract  PDF
Chantal Poch
Vol 4, No 1 (2014): Fall 2014 The City on Screen: A Methodological Approach on Cinematic City Studies Abstract  PDF
Sertaç Timur Demir
Vol 3, No 2 (2014): Spring 2014 Review of Monster Culture in the 21st Century: A Reader Abstract  PDF
Shane Brown
Vol 4, No 1 (2014): Fall 2014 Authorship in Cinema: Author & Reader Abstract  PDF
Başak Göksel Demiray
Vol 3, No 2 (2014): Spring 2014 Review of Politics as Form in Lars von Trier: A Post-Brechtian Reading Abstract  PDF
Sara Marino
Vol 5, No 2 (2016): Spring 2016 Screening the Urban: An Analysis of the Urban Life and Subjectivities in the Assamese Films of Bhabendra Nath Saikia and Jahnu Barua Abstract  PDF
Minakshi Dutta
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