Vol 3, No 1 (2013)

Fall 2013

Table of Contents

Editor's Note

Editorial: Thank You to CINEJ Reviewers
Murat Akser
PDF
1-3

Articles

‘Not A Terrorist’: The Representational Alternative of Reality TV in All-American Muslim
Nolwenn Anne Mingant
PDF
4-27
Fiction Criticizing Reality: Abbas Kiarostami and the Cracked Windshield of Cinema
James Blake Ewing
PDF
28-46
The Otolith Group’s “Monuments to Dead Television.” Independent Cinema and the Migrant Experience in Europe between Television and the Museum
Beatrice Ferrara
PDF
47-74
The Body As Cogito: A Certain Contemporary Film In The Light of Merleau-Ponty
Julio Bezerra
PDF
75-92
Hollywood, The American Image And The Global Film Industry
Andrew Ali Ibbi
PDF
93-106
Law, Urban Violence and Order: Cop Shows as a Brazilian TV Genre
Luiza Lusvarghi
PDF
107-125
The Role Of The Refugee And The Impact Of Fragmented Identities In Diasporic Filmmakers. A Review Of Dogville By Lars von Trier
Sara Marino
PDF
126-149
Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship
Yasemin Kılınçarslan
PDF
150-161
Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love
Murat Akser
PDF
162-180
Festival Review: TIFF 2013, The Neoliberal Labyrinth of Cinema
Ege Edener
PDF
181-185

Book Reviews

Book Review: Screen Distribution and the New King Kongs of the Online World
Bradley Decker
PDF
186-190