Murat Akser


This issue of CINEJ deals with approaches to films from different parts of the world ranging from India and China to Italy and Canada. Detailed analyses on films about Ghandi, docufictions on New York City, reflections of contemporary terror in historical cinema, Chinese Soft Film Movement, road movies, religious identification in films, documemory, Italian neorealism and female performance in Canadian cinema are presented in this issue.


Gandhi, Wenders, Canadian, neo realism

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Akser, M. (2011). Reinvigorating film studies: an immodest proposal. CINEJ Cinema Journal, 1(1), 1-3.

Akser, M. (2012). Memory, Identity and Desire: A Psychoanalytic Reading of David Lynch’s Mulholland Drive. CINEJ Cinema Journal, 2(1), 58-76.

DOI: https://doi.org/10.5195/cinej.2013.75


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