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• Strangers No More: the Initial Hitchcock murder

  Vlad Dima

  170-178

  2011-08-04

• Representations of Gothic and Spectral Identities in the Global South: A Study of Manichitrathazhu and its Adaptations

  Sethulakshmi Subhash, Rukmini S

  581-614

  2025-12-03

• Silent Frames of Social Realism: Exploring Economic Disparities, Urban Life, and Ethical Concerns in Pushpak Vimanam

  Gopi Sathya Srinivas Narayanam, Gomatam Mohana Charyulu

  19-29

  2025-12-03

• The Filmic Representation of Women: Paradigm Versus Perspective in the Depiction of Women in Funke Akindele’s Two Selected Works

  Sanjo Ilori, Adewale Oyewo, Olamiposi Oyeleye

  1-18

  2025-12-03

• Review of Contemporary Art Cinema Culture in China

  Ke Zhu

  916-923

  2025-12-03

• Symbolic Metaphors of Film Epidemic Narratives: A Comparative Study of Chinese and Foreign Epidemic Disaster Films

  Yankun Zhu, Ming Cheung

  661-703

  2025-12-03

• Joyland: A Cinematic Representation of Pakistani Patriarchal Joint Family

  Rizwan Bashir Baloch, Abul Hassan, Syed Atef Amjad Ali, Ali Ab Ul Hassan

  194-220

  2025-12-03

• Transformation of Comedy with Streaming Services: The Case of Bartu Ben

  Nisa Yıldırım

  403-425

  2020-12-03