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• Strangers No More: the Initial Hitchcock murder

  Vlad Dima

  170-178

  2011-08-04

• Representations of Gothic and Spectral Identities in the Global South: A Study of Manichitrathazhu and its Adaptations

  Sethulakshmi Subhash, Rukmini S

  581-614

  2025-12-03

• Silent Frames of Social Realism: Exploring Economic Disparities, Urban Life, and Ethical Concerns in Pushpak Vimanam

  Gopi Sathya Srinivas Narayanam, Gomatam Mohana Charyulu

  19-29

  2025-12-03

• The Filmic Representation of Women: Paradigm Versus Perspective in the Depiction of Women in Funke Akindele’s Two Selected Works

  Sanjo Ilori, Adewale Oyewo, Olamiposi Oyeleye

  1-18

  2025-12-03

• Review of Contemporary Art Cinema Culture in China

  Ke Zhu

  916-923

  2025-12-03

• Symbolic Metaphors of Film Epidemic Narratives: A Comparative Study of Chinese and Foreign Epidemic Disaster Films

  Yankun Zhu, Ming Cheung

  661-703

  2025-12-03

• Joyland: A Cinematic Representation of Pakistani Patriarchal Joint Family

  Rizwan Bashir Baloch, Abul Hassan, Syed Atef Amjad Ali, Ali Ab Ul Hassan

  194-220

  2025-12-03

• Representation of Women in Iranian Cinema: Jafar Panâhi Films

  Aybike Serttaş, Alihan Çaparlar

  1-41

  2026-05-22

• Transformation of Comedy with Streaming Services: The Case of Bartu Ben

  Nisa Yıldırım

  403-425

  2020-12-03

• The Symbolic Significance of Deer in Ildiko Enyedi’s On Body and Soul

  Sanjay Surin

  42-67

  2026-05-22

• Decoding the Interlocking Factors of Caste-Gender Dynamism, Intersectionality and Suffering in the Web Series Dahaad

  Debdatta Chakraborty, Sarbani Banerjee

  101-137

  2026-05-22

• Representations of Heteronormativity and Masculinity Crisis in Nuri Bilge Ceylan's Cinema: Uzak (2002) and Kış Uykusu (2014)

  Hatice İlay Karaoğlu

  164-197

  2026-05-22

• Confronting Gendered Ageism: The Substance

  Meltem Cemiloğlu

  299-346

  2026-05-22

• Tired Warrior: A Case Study of the Destruction of a Turkish TV Series

  Dilara Balcı

  198-230

  2026-05-22

• Where Commerce Meets Art: Hybrid Complexity and Narrative Ambiguity in Post-1990s Cinema

  Yu Yang

  231-267

  2026-05-22

• The House as a Character: The Role of Set Design in the Film I'm Still Here

  Mariana Schwartz

  268-298

  2026-05-22

• Jump Cut: Montage as Metaphysics in Kubrick’s 2001

  Matthew Gumpert

  347-373

  2026-05-22

• The New Threshold of Creative Labor: Qualitative Insights from Turkish Cinema Professionals

  Sevcan Sönmez, Halil Göker Gülay

  374-417

  2026-05-22

• Examining Toxic Masculinity under the Guise of ‘Romance’ in Sandeep Reddy Vanga’s Hindi Films

  Juhi Singh, Shubham Pathak, Swasti Mishra

  442-471

  2026-05-22

• The Cinematic Narrative of Space and Ambiguity Interaction: The Case of the Film Arrival

  Beyza Sıla Selçuk, Asu Beşgen

  548-587

  2026-05-22

• Baghdadi Street Life: Examining the Challenges of Representing and Recreating Baghdad in Interactive Documentary – A Practice-Based Case Study

  Hsham Aburghif

  588-600

  2026-05-22

• Mindspacing, Mental Health Discourse, and Midsommar (2019)

  Moritz Wischert-Zielke

  601-639

  2026-05-22

• Ethical Experience and Narrative Ambiguity in Contemporary Turkish Cinema: Hesitation Line

  Aysu Uğur Balcı

  640-677

  2026-05-22

• Contemporary Memory Loss Narratives: Romanticized or Realistic?

  Terry Creagh

  678-709

  2026-05-22

• Cinematic Representations of the Bengal Famine of 1943

  Godwin Emmanuel, Richard Rego

  138-163

  2026-05-22