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• ‘Not A Terrorist’: The Representational Alternative of Reality TV in All-American Muslim

  Nolwenn Anne Mingant

  4-27

  2014-04-08

• Defining Italian Neorealism: A Compulsory Movement

  Esma Kartal

  140-148

  2013-06-10

• Nation, Genre and Female Performance in Canadian Cinema

  Murat Akser

  149-166

  2013-06-04

• Nostalgia for the Light: A ‘Documemory’ and The Conflict between History and Memory

  Didem Durak

  126-139

  2013-06-04

• The American Dark Ages and the Terrorist Witch in Season of the Witch

  Tom Vercruysse

  51-65

  2013-06-04

• Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography

  Donna Ong

  66-81

  2013-06-04

• Chop Shop and Foreign Parts settle on the fuzzy boundary between fiction and documentary: new representations of New York City in Contemporary Cinema.

  Fernando Canet

  38-50

  2013-06-04

• The City on Screen: A Methodological Approach on Cinematic City Studies

  Sertaç Timur Demir

  20-36

  2015-07-13

• The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father

  C.S.H.N. Murthy, Oinam Bedajit Meitei, Dapkupar Tariang

  4-37

  2013-06-04

• Wenders in Motion: A Study On The Way Of Characterization In Wim Wenders’ Road Movies

  Erman Pehlivan

  82-109

  2013-06-04

• Authorship in Cinema: Author & Reader

  Başak Göksel Demiray

  4-19

  2015-07-13

• Editorial

  Murat Akser

  1-2

  2012-12-07

• Memory, Identity and Desire: A Psychoanalytic Reading of David Lynch’s Mulholland Drive

  Murat Akser

  58-76

  2012-12-07

• Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love

  Murat Akser

  162-180

  2014-04-08

• Same Story But Different Cover: The Substitution Principle in Religion and Understanding It Through Watching Films

  Gökhan Uğur

  110-125

  2013-06-04

• Response to “Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light”

  Phoebe Pua

  42-57

  2012-11-26

• Islam goes Hollywood. An exploratory study on Islam in Turkish cinema

  Petra de Bruijn

  19-41

  2012-11-26

• The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933

  Nick Redfern

  77-94

  2012-11-26

• Music, Magic, and the Mythic: The Dynamics of Visual and Aural Discourse in Souleymane Cissé’s Yeelen

  Alexander Fisher

  3-18

  2012-11-23

• Garden of Ambivalence The Topology of the Mother-child Dyad in Grey Gardens

  Defne Tüzün

  92-101

  2012-04-20

• Return to Reality: Towards A More Tactile Cognition of Film Theory

  Murat Akser

  1-2

  2012-04-22

• Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man

  Selen Gokcem

  86-91

  2012-04-20

• Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light

  Esma Kartal

  79-85

  2012-04-20

• The Thin Blue Line: How can we destroy actuality with editing?

  Özlem Tuğçe Kaymaz

  72-78

  2012-04-20

• Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production)

  Silvia R Tandeciarz

  62-71

  2012-04-20