Search

Search Results

• Review of Dark Energy: Hitchcock’s Absolute Camera and the Physics of Cinematic Spacetime

  Anthony Collamati

  234-238

  2014-10-13

• Review of Devised and Directed by Mike Leigh

  Swati Jaywantrao Bute

  230-233

  2014-10-13

• Review of Guillermo del Toro: Film as Alchemic Art

  Ian Pettigrew

  227-229

  2014-10-13

• Review of Masculinity and Gender in Greek Cinema

  Erato Basea

  222-226

  2014-10-13

• Review of Japanese Horror Films and the Their American Remakes

  Marcus Harmes

  218-221

  2014-10-13

• Subtitling in the Nigerian Film Industry, Informative or Misleading?

  Andrew Ali Ibbi

  47-61

  2015-07-13

• Rudaali in Film Narrative: Looking Through the Feminist Lens

  Reetamoni Das, Dr Debarshi Prasad Nath

  120-139

  2014-10-13

• Film As Nation Building: The UAE Goes Into the Movie Business

  Alia Yunis

  49-75

  2014-10-13

• Preternatural Claims, Precarious Workers: The Content and Distribution of the Most Successfully Crowdfunded Documentary

  Dugan Nichols

  76-102

  2014-10-13

• Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira

  Susana Viegas

  34-48

  2014-10-13

• Recurrence: A Filmosophic Re-thinking of A Long Story/ Uzun Hikaye

  Basak Goksel Demiray

  175-191

  2014-10-13

• Bikes and Movies: A Brief History Of Motorcycle In Cinema

  Sandra Martinez, Antonio Sanjuán

  140-164

  2014-10-13

• A Film Buff’s Paradox: The Evolution of Illusion vs. Reality

  Armand Amini

  37-46

  2015-07-13

• Pan-American Highways: American Tourism to Mexico and 1950s Hollywood film

  Stephanie Fuller

  5-33

  2014-10-13

• Editorial: Thank You to CINEJ Reviewers

  Murat Akser

  1-3

  2014-04-08

• It Is a Man's World: Romantic Relief In The Hollywood Blockbuster

  Esma Kartal

  165-174

  2014-10-13

• Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship

  Yasemin Kılınçarslan

  150-161

  2014-04-08

• Festival Review: TIFF 2013, The Neoliberal Labyrinth of Cinema

  Ege Edener

  181-185

  2014-04-08

• The Role Of The Refugee And The Impact Of Fragmented Identities In Diasporic Filmmakers. A Review Of Dogville By Lars von Trier

  Sara Marino

  126-149

  2014-04-08

• Law, Urban Violence and Order: Cop Shows as a Brazilian TV Genre

  Luiza Lusvarghi

  107-125

  2014-04-08

• Book Review: Screen Distribution and the New King Kongs of the Online World

  Bradley Decker

  186-190

  2014-04-08

• Hollywood, The American Image And The Global Film Industry

  Andrew Ali Ibbi

  93-106

  2014-04-08

• The Body As Cogito: A Certain Contemporary Film In The Light of Merleau-Ponty

  Julio Bezerra

  75-92

  2014-04-08

• The Otolith Group’s “Monuments to Dead Television.” Independent Cinema and the Migrant Experience in Europe between Television and the Museum

  Beatrice Ferrara

  47-74

  2014-04-08

• Fiction Criticizing Reality: Abbas Kiarostami and the Cracked Windshield of Cinema

  James Blake Ewing

  28-46

  2014-04-08