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• Editorial

  Bengisu Bayrak

  1-3

  2015-07-13

• Howard Hughes and the Cold War Aviation Film Jet Pilot (1957)

  Richard Andrew Voeltz

  28-52

  2016-10-11

• Power, command and violence in von Trier’s Manderlay. A political and philosophical analysis of pseudo-democracies.

  Sara Marino

  4-27

  2016-10-11

• Sleaze, Slur... and the Search for a Sanitized Identity: Bhojpuri Media at a Crossroads

  Madhusri Shrivastava

  172-198

  2016-02-17

• Of Genes and Germs: The Agenda of Health in Contemporary Hollywood

  Elwin John

  154-171

  2016-02-17

• Reinventing Consumption Traditions through the Process of Unification of a Country: Understanding “Good Bye Lenin!”

  Ece Ceren Engür

  137-153

  2016-02-17

• Between genres and styles in the films of Robert Bresson

  Luíza Beatriz Alvim

  113-136

  2016-02-17

• Monstrosity and War Memories in Latin American Post-conflict Cinema

  Maria Chiara D'Argenio

  84-112

  2016-02-17

• Control and Resistance in the Heterotopic Spatiality of Pleasantville

  Evrim ERSÖZ KOÇ

  57-83

  2016-02-17

• The Problem of Homosexuality: Desire-in-Uneasiness, Friendship, Family, Freedom

  Brian Bergen-Aurand

  34-56

  2016-02-17

• Cowboys and kings: The coming of age film in 1990s Irish cinema

  Carlos Menendez-Otero

  5-33

  2016-02-17

• From Past To Present A Cognitive Work On “New Turkish Cinema”

  Arif Can Güngör

  122-153

  2015-07-13

• New Media and Film Festivals in the Middle East

  Murat Akser

  110-121

  2015-07-13

• Reading of the Architectural Identity via Cinema

  Havva Alkan Bala

  79-109

  2015-07-13

• Books Received

  Murat Akser

  268-271

  2014-10-13

• Editorial

  Murat Akser

  1-4

  2014-10-13

• Technology and the Turkish Mind: Internet Animation as Counter Culture in Turkey

  Murat Akser

  192-217

  2014-10-13

• Mulholland Drive: An Intertextual Reading

  Ebrahim Barzegar

  62-78

  2015-07-13

• Review of Terrence Malick: Film and Philosophy

  Emre Çağlayan

  263-267

  2014-10-13

• Bicycles, Airplanes and Peter Pans: Flying Scenes in Steven Spielberg's Films

  Emilio Audissino

  103-119

  2014-10-13

• Review of Monster Culture in the 21st Century: A Reader

  Shane Brown

  259-262

  2014-10-13

• Review of Vertov, Snow, Farocki: Machine Vision and the Posthuman

  Daniel Binns

  255-258

  2014-10-13

• Review of Postfeminism and Paternity in Contemporary U.S. Film: Framing Fatherhood

  Elaine Lennon

  249-254

  2014-10-13

• Review of The Drift: Affect, Adaptation and New Perspectives on Fidelity

  Rachel Barraclough

  244-248

  2014-10-13

• Review of Politics as Form in Lars von Trier: A Post-Brechtian Reading

  Sara Marino

  239-243

  2014-10-13