KUMAR, A. Changing Landscape of Moral Registers and Urban Pathology in ‘Bombay’ Cinema: Decline of Biological Family and Birth of the Individual through Awara (1951), Deewar (1951), (1975) and Satya (1998). CINEJ Cinema Journal, [S. l.], v. 1, p. 116–125, 2011. DOI: 10.5195/cinej.2011.20. Disponível em: https://cinej.pitt.edu/ojs/cinej/article/view/20. Acesso em: 12 jul. 2024.