Issue Title
Vol 8, No 1 (2020): Winter 2020 Man In A Hat: Martin Balsam And The Refining Of Male Character Acting In American Films, 1957-1976 Abstract  PDF
John Thomas McGuire
Vol 7, No 1 (2018): Spring 2018 Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony Abstract  PDF
Selma Köksal
Vol 9, No 1 (2021): Spring 2021 Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948 Abstract  PDF
John Thomas McGuire
Vol 8, No 2 (2020): Fall 2020 Emerging Discourses, Changing Perspectives: Iraq in Oscar Documentary Films Abstract  PDF
Abida Ashraf
Vol 7, No 1 (2018): Spring 2018 Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema Abstract  PDF
Murat Akser
Vol 8, No 1 (2020): Winter 2020 Cinema And Society In The Light Of Emile Zola’s Naturalism Abstract  PDF
Hossein Shahin Karbalaeetaher
Vol 7, No 1 (2018): Spring 2018 The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya Abstract  PDF
Richard Andrew Voeltz
Vol 7, No 1 (2018): Spring 2018 From Box Office to Memory: Telling Stories is not an Innocent Act Abstract  PDF
Ayla Kanbur
Vol 8, No 2 (2020): Fall 2020 Cinema, Life and Other Viruses: The Future of Filmmaking, Film Education and Film Studies in the Age of Covid-19 Pandemic Abstract  PDF
Murat Akser
Vol 7, No 1 (2018): Spring 2018 Interpersonal Relations as a Tool to Film Directing Abstract  PDF
Caio Augusto Camargo Bogoni, Renate B. Michel
Vol 9, No 1 (2021): Spring 2021 Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture Abstract  PDF
Osakue S. Omoera, Charles C. Okwuowulu
Vol 8, No 2 (2020): Fall 2020 The Effects of Film Illumination Hues – An Exploration Study Abstract  PDF
Mustafa Mahmoud Yousry Matbouly
Vol 8, No 2 (2020): Fall 2020 Wild Pear Trees, Patrimonial Legacies: Father-Son Relationship in Nuri Bilge Ceylan's The Wild Pear Tree Abstract  PDF
Coşkun Liktor
Vol 6, No 2 (2017): Fall 2017 Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries Abstract  PDF
Alon Lazar, Tal Litvak Hirsch
Vol 7, No 1 (2018): Spring 2018 Let’s Make it American: American Remakes of the British Films Abstract  PDF
Elif Kahraman Dönmez
Vol 9, No 1 (2021): Spring 2021 Diversity and Inclusion in Film, Television and Media Sector: Policy Alternatives for an Inclusive Film Industry and Training Abstract  PDF
Murat Akser
Vol 8, No 1 (2020): Winter 2020 Music and sound in documentary film communication: an exploration of Une Affaire de Nègres and Chef! Abstract  PDF
Paul Animbom Ngong
Vol 2, No 2 (2013): Spring 2013 Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography Abstract  PDF
Donna Ong
Vol 9, No 1 (2021): Spring 2021 The reception of Cameroon Films and home videos in student residential areas: the case of Bambili – Cameroon Abstract  PDF
Paul Animbom Ngong
Vol 6, No 1 (2017): Spring 2017 “Ever heard of EVEL Knievel?”: James Bond meets the Rural sheriff Abstract  PDF
John D. Schwetman
Vol 6, No 1 (2017): Spring 2017 Books received Abstract  PDF
Murat Akser
Vol 9, No 1 (2021): Spring 2021 The Social Implications of Metaphor in Bong Joon-ho’s Parasite Abstract  PDF
Alireza Farahbakhsh, Ramtin Ebrahimi
Vol 3, No 2 (2014): Spring 2014 Review of Devised and Directed by Mike Leigh Abstract  PDF
Swati Jaywantrao Bute
Vol 7, No 2 (2019): Spring/Summer 2019 The Homosexual Male Gaze: Normalizing Homosexuality through the Use of Heteronormative Narrative Techniques in Film Abstract  PDF
Lauren Rohrs
Vol 8, No 2 (2020): Fall 2020 Crushing Life in the Anthropocene? Destroying Simulated "Nature" in The Cabin in the Woods Abstract  PDF
Michael Fuchs
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