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Issue Title
 
Vol 6, No 2 (2017): Fall 2017 Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries Abstract  PDF
Alon Lazar, Tal Litvak Hirsch
 
Vol 2, No 2 (2013): Spring 2013 Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography Abstract  PDF
Donna Ong
 
Vol 6, No 1 (2017): Spring 2017 “Ever heard of EVEL Knievel?”: James Bond meets the Rural sheriff Abstract  PDF
John D. Schwetman
 
Vol 6, No 1 (2017): Spring 2017 Books received Abstract  PDF
Murat Akser
 
Vol 3, No 2 (2014): Spring 2014 Review of Devised and Directed by Mike Leigh Abstract  PDF
Swati Jaywantrao Bute
 
Vol 3, No 2 (2014): Spring 2014 It Is a Man's World: Romantic Relief In The Hollywood Blockbuster Abstract  PDF
Esma Kartal
 
Vol 5, No 1 (2015): Fall 2015 Cowboys and kings: The coming of age film in 1990s Irish cinema Abstract  PDF
Carlos Menendez-Otero
 
Vol 3, No 1 (2013): Fall 2013 Festival Review: TIFF 2013, The Neoliberal Labyrinth of Cinema Abstract  PDF
Ege Edener
 
Vol 4, No 1 (2014): Fall 2014 New Media and Film Festivals in the Middle East Abstract  PDF
Murat Akser
 
Vol 3, No 1 (2013): Fall 2013 The Body As Cogito: A Certain Contemporary Film In The Light of Merleau-Ponty Abstract  PDF
Julio Bezerra
 
Vol 4, No 1 (2014): Fall 2014 Reading of the Architectural Identity via Cinema Abstract  PDF
Havva Alkan Bala
 
Vol 3, No 1 (2013): Fall 2013 ‘Not A Terrorist’: The Representational Alternative of Reality TV in All-American Muslim Abstract  PDF
Nolwenn Anne Mingant
 
Vol 3, No 2 (2014): Spring 2014 Review of Terrence Malick: Film and Philosophy Abstract  PDF
Emre Çağlayan
 
Vol 2, No 2 (2013): Spring 2013 The American Dark Ages and the Terrorist Witch in Season of the Witch Abstract  PDF
Tom Vercruysse
 
Vol 3, No 2 (2014): Spring 2014 Review of Monster Culture in the 21st Century: A Reader Abstract  PDF
Shane Brown
 
Vol 6, No 1 (2017): Spring 2017 Kingdom of Heaven and its ideological message Abstract  PDF
Yiou Liu
 
Vol 2, No 1 (2012): Fall 2012 The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 Abstract  PDF
Nick Redfern
 
Vol 3, No 2 (2014): Spring 2014 Review of Guillermo del Toro: Film as Alchemic Art Abstract  PDF
Ian Pettigrew
 
Vol 1, No 2 (2012) Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Abstract  PDF
Selen Gokcem
 
Vol 3, No 2 (2014): Spring 2014 Review of Japanese Horror Films and the Their American Remakes Abstract  PDF
Marcus Harmes
 
Vol 1, No 2 (2012) Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light Abstract  PDF
Esma Kartal
 
Vol 5, No 2 (2016): Spring 2016 Audience Reactions to the Different Aspects of Nollywood Movies Abstract  PDF
Uchenna Onuzulike
 
Vol 3, No 2 (2014): Spring 2014 Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira Abstract  PDF
Susana Viegas
 
Vol 1, No 2 (2012) The Thin Blue Line: How can we destroy actuality with editing? Abstract  PDF
Özlem Tuğçe Kaymaz
 
Vol 5, No 2 (2016): Spring 2016 Howard Hughes and the Cold War Aviation Film Jet Pilot (1957) Abstract  PDF
Richard Andrew Voeltz
 
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