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Issue Title
 
Vol 8, No 1 (2020): Winter 2020 Man In A Hat: Martin Balsam And The Refining Of Male Character Acting In American Films, 1957-1976 Abstract  PDF
John Thomas McGuire
 
Vol 7, No 1 (2018): Spring 2018 Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony Abstract  PDF
Selma Köksal
 
Vol 7, No 1 (2018): Spring 2018 Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema Abstract  PDF
Murat Akser
 
Vol 7, No 1 (2018): Spring 2018 From Box Office to Memory: Telling Stories is not an Innocent Act Abstract  PDF
Ayla Kanbur
 
Vol 8, No 1 (2020): Winter 2020 Cinema And Society In The Light Of Emile Zola’s Naturalism Abstract  PDF
Hossein Shahin Karbalaeetaher
 
Vol 7, No 1 (2018): Spring 2018 Interpersonal Relations as a Tool to Film Directing Abstract  PDF
Caio Augusto Camargo Bogoni, Renate B. Michel
 
Vol 7, No 1 (2018): Spring 2018 The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya Abstract  PDF
Richard Andrew Voeltz
 
Vol 6, No 2 (2017): Fall 2017 Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries Abstract  PDF
Alon Lazar, Tal Litvak Hirsch
 
Vol 7, No 1 (2018): Spring 2018 Let’s Make it American: American Remakes of the British Films Abstract  PDF
Elif Kahraman Dönmez
 
Vol 8, No 1 (2020): Winter 2020 Music and sound in documentary film communication: an exploration of Une Affaire de Nègres and Chef! Abstract  PDF
Paul Animbom Ngong
 
Vol 2, No 2 (2013): Spring 2013 Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography Abstract  PDF
Donna Ong
 
Vol 6, No 1 (2017): Spring 2017 “Ever heard of EVEL Knievel?”: James Bond meets the Rural sheriff Abstract  PDF
John D. Schwetman
 
Vol 6, No 1 (2017): Spring 2017 Books received Abstract  PDF
Murat Akser
 
Vol 3, No 2 (2014): Spring 2014 Review of Devised and Directed by Mike Leigh Abstract  PDF
Swati Jaywantrao Bute
 
Vol 7, No 2 (2019): Spring/Summer 2019 The Homosexual Male Gaze: Normalizing Homosexuality through the Use of Heteronormative Narrative Techniques in Film Abstract  PDF
Lauren Rohrs
 
Vol 4, No 1 (2014): Fall 2014 Reading of the Architectural Identity via Cinema Abstract  PDF
Havva Alkan Bala
 
Vol 3, No 1 (2013): Fall 2013 ‘Not A Terrorist’: The Representational Alternative of Reality TV in All-American Muslim Abstract  PDF
Nolwenn Anne Mingant
 
Vol 3, No 2 (2014): Spring 2014 Review of Terrence Malick: Film and Philosophy Abstract  PDF
Emre Çağlayan
 
Vol 2, No 2 (2013): Spring 2013 The American Dark Ages and the Terrorist Witch in Season of the Witch Abstract  PDF
Tom Vercruysse
 
Vol 3, No 2 (2014): Spring 2014 Review of Monster Culture in the 21st Century: A Reader Abstract  PDF
Shane Brown
 
Vol 6, No 1 (2017): Spring 2017 Kingdom of Heaven and its ideological message Abstract  PDF
Yiou Liu
 
Vol 7, No 2 (2019): Spring/Summer 2019 Samsara documentary: narrative and discourse analysis and a possible interpretation Abstract  PDF
Ricardo Henrique Almeida Dias
 
Vol 2, No 1 (2012): Fall 2012 The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 Abstract  PDF
Nick Redfern
 
Vol 3, No 2 (2014): Spring 2014 Review of Guillermo del Toro: Film as Alchemic Art Abstract  PDF
Ian Pettigrew
 
Vol 1, No 2 (2012) Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Abstract  PDF
Selen Gokcem
 
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