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Issue Title
 
Vol 7, No 1 (2018): Spring 2018 Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony Abstract  PDF
Selma Köksal
 
Vol 7, No 1 (2018): Spring 2018 Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema Abstract  PDF
Murat Akser
 
Vol 7, No 1 (2018): Spring 2018 Interpersonal Relations as a Tool to Film Directing Abstract  PDF
Caio Augusto Camargo Bogoni, Renate B. Michel
 
Vol 7, No 1 (2018): Spring 2018 The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya Abstract  PDF
Richard Andrew Voeltz
 
Vol 7, No 1 (2018): Spring 2018 From Box Office to Memory: Telling Stories is not an Innocent Act Abstract  PDF
Ayla Kanbur
 
Vol 6, No 2 (2017): Fall 2017 Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries Abstract  PDF
Alon Lazar, Tal Litvak Hirsch
 
Vol 7, No 1 (2018): Spring 2018 Let’s Make it American: American Remakes of the British Films Abstract  PDF
Elif Kahraman Dönmez
 
Vol 2, No 2 (2013): Spring 2013 Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography Abstract  PDF
Donna Ong
 
Vol 6, No 1 (2017): Spring 2017 “Ever heard of EVEL Knievel?”: James Bond meets the Rural sheriff Abstract  PDF
John D. Schwetman
 
Vol 6, No 1 (2017): Spring 2017 Books received Abstract  PDF
Murat Akser
 
Vol 3, No 2 (2014): Spring 2014 Review of Devised and Directed by Mike Leigh Abstract  PDF
Swati Jaywantrao Bute
 
Vol 2, No 2 (2013): Spring 2013 The American Dark Ages and the Terrorist Witch in Season of the Witch Abstract  PDF
Tom Vercruysse
 
Vol 3, No 2 (2014): Spring 2014 Review of Monster Culture in the 21st Century: A Reader Abstract  PDF
Shane Brown
 
Vol 6, No 1 (2017): Spring 2017 Kingdom of Heaven and its ideological message Abstract  PDF
Yiou Liu
 
Vol 2, No 1 (2012): Fall 2012 The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 Abstract  PDF
Nick Redfern
 
Vol 3, No 2 (2014): Spring 2014 Review of Guillermo del Toro: Film as Alchemic Art Abstract  PDF
Ian Pettigrew
 
Vol 1, No 2 (2012) Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Abstract  PDF
Selen Gokcem
 
Vol 3, No 2 (2014): Spring 2014 Review of Japanese Horror Films and the Their American Remakes Abstract  PDF
Marcus Harmes
 
Vol 1, No 2 (2012) Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light Abstract  PDF
Esma Kartal
 
Vol 5, No 2 (2016): Spring 2016 Audience Reactions to the Different Aspects of Nollywood Movies Abstract  PDF
Uchenna Onuzulike
 
Vol 3, No 2 (2014): Spring 2014 Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira Abstract  PDF
Susana Viegas
 
Vol 1, No 2 (2012) The Thin Blue Line: How can we destroy actuality with editing? Abstract  PDF
Özlem Tuğçe Kaymaz
 
Vol 5, No 2 (2016): Spring 2016 Howard Hughes and the Cold War Aviation Film Jet Pilot (1957) Abstract  PDF
Richard Andrew Voeltz
 
Vol 3, No 2 (2014): Spring 2014 Bikes and Movies: A Brief History Of Motorcycle In Cinema Abstract  PDF
Sandra Martinez, Antonio Sanjuán
 
Vol 5, No 1 (2015): Fall 2015 Sleaze, Slur... and the Search for a Sanitized Identity: Bhojpuri Media at a Crossroads Abstract  PDF
Madhusri Shrivastava
 
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