| Issue | Title | |
| Vol 7, No 1 (2018): Spring 2018 | Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony | Abstract PDF |
| Selma Köksal | ||
| Vol 7, No 1 (2018): Spring 2018 | Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema | Abstract PDF |
| Murat Akser | ||
| Vol 7, No 1 (2018): Spring 2018 | Interpersonal Relations as a Tool to Film Directing | Abstract PDF |
| Caio Augusto Camargo Bogoni, Renate B. Michel | ||
| Vol 7, No 1 (2018): Spring 2018 | The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya | Abstract PDF |
| Richard Andrew Voeltz | ||
| Vol 7, No 1 (2018): Spring 2018 | From Box Office to Memory: Telling Stories is not an Innocent Act | Abstract PDF |
| Ayla Kanbur | ||
| Vol 6, No 2 (2017): Fall 2017 | Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries | Abstract PDF |
| Alon Lazar, Tal Litvak Hirsch | ||
| Vol 7, No 1 (2018): Spring 2018 | Let’s Make it American: American Remakes of the British Films | Abstract PDF |
| Elif Kahraman Dönmez | ||
| Vol 2, No 2 (2013): Spring 2013 | Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography | Abstract PDF |
| Donna Ong | ||
| Vol 6, No 1 (2017): Spring 2017 | “Ever heard of EVEL Knievel?”: James Bond meets the Rural sheriff | Abstract PDF |
| John D. Schwetman | ||
| Vol 6, No 1 (2017): Spring 2017 | Books received | Abstract PDF |
| Murat Akser | ||
| Vol 7, No 2 (2019): Spring/Summer 2019 | The Homosexual Male Gaze: Normalizing Homosexuality through the Use of Heteronormative Narrative Techniques in Film | Abstract PDF |
| Lauren Rohrs | ||
| Vol 3, No 2 (2014): Spring 2014 | Review of Devised and Directed by Mike Leigh | Abstract PDF |
| Swati Jaywantrao Bute | ||
| Vol 3, No 2 (2014): Spring 2014 | Review of Guillermo del Toro: Film as Alchemic Art | Abstract PDF |
| Ian Pettigrew | ||
| Vol 7, No 2 (2019): Spring/Summer 2019 | Samsara documentary: narrative and discourse analysis and a possible interpretation | Abstract PDF |
| Ricardo Henrique Almeida Dias | ||
| Vol 1, No 2 (2012) | Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man | Abstract PDF |
| Selen Gokcem | ||
| Vol 3, No 2 (2014): Spring 2014 | Review of Japanese Horror Films and the Their American Remakes | Abstract PDF |
| Marcus Harmes | ||
| Vol 1, No 2 (2012) | Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light | Abstract PDF |
| Esma Kartal | ||
| Vol 5, No 2 (2016): Spring 2016 | Audience Reactions to the Different Aspects of Nollywood Movies | Abstract PDF |
| Uchenna Onuzulike | ||
| Vol 3, No 2 (2014): Spring 2014 | Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira | Abstract PDF |
| Susana Viegas | ||
| Vol 1, No 2 (2012) | The Thin Blue Line: How can we destroy actuality with editing? | Abstract PDF |
| Özlem Tuğçe Kaymaz | ||
| Vol 5, No 2 (2016): Spring 2016 | Howard Hughes and the Cold War Aviation Film Jet Pilot (1957) | Abstract PDF |
| Richard Andrew Voeltz | ||
| Vol 3, No 2 (2014): Spring 2014 | Bikes and Movies: A Brief History Of Motorcycle In Cinema | Abstract PDF |
| Sandra Martinez, Antonio Sanjuán | ||
| Vol 5, No 1 (2015): Fall 2015 | Sleaze, Slur... and the Search for a Sanitized Identity: Bhojpuri Media at a Crossroads | Abstract PDF |
| Madhusri Shrivastava | ||
| Vol 3, No 2 (2014): Spring 2014 | It Is a Man's World: Romantic Relief In The Hollywood Blockbuster | Abstract PDF |
| Esma Kartal | ||
| Vol 5, No 1 (2015): Fall 2015 | Cowboys and kings: The coming of age film in 1990s Irish cinema | Abstract PDF |
| Carlos Menendez-Otero | ||
| 1 - 25 of 35 Items | 1 2 > >> | |
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ISSN 2159-2411 (print) 2158-8724 (online)