|
Issue |
Title |
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Vol 8, No 1 (2020): Winter 2020 |
Man In A Hat: Martin Balsam And The Refining Of Male Character Acting In American Films, 1957-1976 |
Abstract
PDF
|
John Thomas McGuire |
|
Vol 7, No 1 (2018): Spring 2018 |
Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony |
Abstract
PDF
|
Selma Köksal |
|
Vol 7, No 1 (2018): Spring 2018 |
Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema |
Abstract
PDF
|
Murat Akser |
|
Vol 8, No 2 (2020): Fall 2020 |
Emerging Discourses, Changing Perspectives: Iraq in Oscar Documentary Films |
Abstract
PDF
|
Abida Ashraf |
|
Vol 7, No 1 (2018): Spring 2018 |
Interpersonal Relations as a Tool to Film Directing |
Abstract
PDF
|
Caio Augusto Camargo Bogoni, Renate B. Michel |
|
Vol 8, No 1 (2020): Winter 2020 |
Cinema And Society In The Light Of Emile Zola’s Naturalism |
Abstract
PDF
|
Hossein Shahin Karbalaeetaher |
|
Vol 7, No 1 (2018): Spring 2018 |
The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya |
Abstract
PDF
|
Richard Andrew Voeltz |
|
Vol 7, No 1 (2018): Spring 2018 |
From Box Office to Memory: Telling Stories is not an Innocent Act |
Abstract
PDF
|
Ayla Kanbur |
|
Vol 8, No 2 (2020): Fall 2020 |
Cinema, Life and Other Viruses: The Future of Filmmaking, Film Education and Film Studies in the Age of Covid-19 Pandemic |
Abstract
PDF
|
Murat Akser |
|
Vol 8, No 2 (2020): Fall 2020 |
The Effects of Film Illumination Hues – An Exploration Study |
Abstract
PDF
|
Mustafa Mahmoud Yousry Matbouly |
|
Vol 8, No 2 (2020): Fall 2020 |
Wild Pear Trees, Patrimonial Legacies: Father-Son Relationship in Nuri Bilge Ceylan's The Wild Pear Tree |
Abstract
PDF
|
Coşkun Liktor |
|
Vol 6, No 2 (2017): Fall 2017 |
Holocaust Cinema as Depicted by Film Advisory Boards in Five English Speaking Countries |
Abstract
PDF
|
Alon Lazar, Tal Litvak Hirsch |
|
Vol 7, No 1 (2018): Spring 2018 |
Let’s Make it American: American Remakes of the British Films |
Abstract
PDF
|
Elif Kahraman Dönmez |
|
Vol 8, No 1 (2020): Winter 2020 |
Music and sound in documentary film communication: an exploration of Une Affaire de Nègres and Chef! |
Abstract
PDF
|
Paul Animbom Ngong |
|
Vol 2, No 2 (2013): Spring 2013 |
Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography |
Abstract
PDF
|
Donna Ong |
|
Vol 6, No 1 (2017): Spring 2017 |
“Ever heard of EVEL Knievel?”: James Bond meets the Rural sheriff |
Abstract
PDF
|
John D. Schwetman |
|
Vol 6, No 1 (2017): Spring 2017 |
Books received |
Abstract
PDF
|
Murat Akser |
|
Vol 8, No 2 (2020): Fall 2020 |
Crushing Life in the Anthropocene? Destroying Simulated "Nature" in The Cabin in the Woods |
Abstract
PDF
|
Michael Fuchs |
|
Vol 3, No 2 (2014): Spring 2014 |
Review of Devised and Directed by Mike Leigh |
Abstract
PDF
|
Swati Jaywantrao Bute |
|
Vol 7, No 2 (2019): Spring/Summer 2019 |
The Homosexual Male Gaze: Normalizing Homosexuality through the Use of Heteronormative Narrative Techniques in Film |
Abstract
PDF
|
Lauren Rohrs |
|
Vol 3, No 2 (2014): Spring 2014 |
Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira |
Abstract
PDF
|
Susana Viegas |
|
Vol 1, No 2 (2012) |
The Thin Blue Line: How can we destroy actuality with editing? |
Abstract
PDF
|
Özlem Tuğçe Kaymaz |
|
Vol 5, No 2 (2016): Spring 2016 |
Howard Hughes and the Cold War Aviation Film Jet Pilot (1957) |
Abstract
PDF
|
Richard Andrew Voeltz |
|
Vol 3, No 2 (2014): Spring 2014 |
Bikes and Movies: A Brief History Of Motorcycle In Cinema |
Abstract
PDF
|
Sandra Martinez, Antonio Sanjuán |
|
Vol 5, No 1 (2015): Fall 2015 |
Sleaze, Slur... and the Search for a Sanitized Identity: Bhojpuri Media at a Crossroads |
Abstract
PDF
|
Madhusri Shrivastava |
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