|
Issue |
Title |
|
Vol 7, No 1 (2018): Spring 2018 |
What’s in the Backdrop: Representation of Landscape in Bollywood Cinema |
Abstract
PDF
|
Naveen Mishra |
|
Vol 8, No 2 (2020): Fall 2020 |
Wild Pear Trees, Patrimonial Legacies: Father-Son Relationship in Nuri Bilge Ceylan's The Wild Pear Tree |
Abstract
PDF
|
Coşkun Liktor |
|
Vol 6, No 2 (2017): Fall 2017 |
Women in the Cinema of Nuri Bilge Ceylan |
Abstract
PDF
|
Funda Masdar Kara, Şakir Eşitti |
|
Vol 6, No 2 (2017): Fall 2017 |
Women Trauma and Stereotype Tradition in Tunde Kelani’s Film, Thunderbolt |
Abstract
PDF
|
Olugbenga Elegbe |
|
Vol 6, No 1 (2017): Spring 2017 |
Zippo Marx |
Abstract
PDF
|
Robin Aaron Bright |
|
Vol 3, No 1 (2013): Fall 2013 |
‘Not A Terrorist’: The Representational Alternative of Reality TV in All-American Muslim |
Abstract
PDF
|
Nolwenn Anne Mingant |
|
Vol 8, No 2 (2020): Fall 2020 |
“Billions in Debt and Still Surviving”: Curing the Female Shopper in Confessions of a Shopaholic |
Abstract
PDF
|
Meghna Sapui |
|
Vol 6, No 1 (2017): Spring 2017 |
“Ever heard of EVEL Knievel?”: James Bond meets the Rural sheriff |
Abstract
PDF
|
John D. Schwetman |
|
Vol 8, No 2 (2020): Fall 2020 |
“Youtuber Movies” From New Media to the Cinema |
Abstract
PDF
|
Barış Tolga Ekinci |
|
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