Browse Title Index


 
Issue Title
 
Vol 2, No 2 (2013): Spring 2013 The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father Abstract   PDF
C.S.H.N. Murthy, Oinam Bedajit Meitei, Dapkupar Tariang
 
Vol 1, No 2 (2012) The Thin Blue Line: How can we destroy actuality with editing? Abstract   PDF
Özlem Tuğçe Kaymaz
 
Vol 8, No 2 (2020): Fall 2020 The Urbanization of Labor and Its Struggle for Unionism in Turkish Cinema Abstract   PDF
Hasan Yüksel
 
Vol 7, No 1 (2018): Spring 2018 The War that Won't Die: The Spanish Civil War in Cinema Abstract   PDF
Sarah Lonsdale
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication The Wing Beat of the Butterfly. The Causality of Asymmetric Cultural Encounters and Escalation in Babel (2006) and Valley of Wolves – Iraq/ Kurtlar Vadisi – Irak (2006) Abstract   PDF
Veronika Bernard
 
Vol 9, No 1 (2021): Spring 2021 The world of Assamese celluloid: ‘yesterday and today’ Abstract   PDF
Violet Barman Deka
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication The ‘Return to Home’: The Musical Construction of a Common Trope in New Turkish Cinema Abstract   PDF
Paul Hartley
 
Vol 1, No 2 (2012) To Find Is To Choose, To Choose Is To Create: Culture(s) in Cinematic and Architectural Space(s) Abstract   PDF
Asu Besgen
 
Vol 3, No 2 (2014): Spring 2014 Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira Abstract   PDF
Susana Viegas
 
Vol 5, No 2 (2016): Spring 2016 Tragicomedy, Melodrama, and Genre in Early Sound Films: The Case of Two “Sad Clown” Musicals Abstract   PDF
Michael G. Garber
 
Vol 8, No 2 (2020): Fall 2020 Transformation of Comedy with Streaming Services: The Case of Bartu Ben Abstract   PDF
Nisa Yıldırım
 
Vol 8, No 2 (2020): Fall 2020 Transformation of Love in the Digital Age: The film Her and Reaching God through the love in the Perspective of Sufism Abstract   PDF
Aybike Serttaş
 
Vol 6, No 2 (2017): Fall 2017 Transnational Life: Where’d I Be Happy? A Research on the Films of Immigrant Directors From Turkey Living in Austria Abstract   PDF
Hasan Gürkan
 
Vol 1, No 2 (2012) Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Abstract   PDF
Selen Gokcem
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication UFA Orientalism. The “Orient” in Early German Film: Lubitsch and May Abstract   PDF
Frank F. Scherer
 
Vol 8, No 1 (2020): Winter 2020 Venom: A Desiring Machine Abstract   PDF
Volkan Yücel
 
Vol 7, No 1 (2018): Spring 2018 Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994) Abstract   PDF
Emilie Herbert
 
Vol 1, No 1 (2011) Violence, Oppression, and Double Standards in Three Colombian Films Abstract   PDF
Melissa R. Meade
 
Vol 9, No 1 (2021): Spring 2021 Waking (Dreaming): A Vedantic Reflection on Richard Linklater’s Waking Life Abstract   PDF
Jaya Upadhyay
 
Vol 2, No 2 (2013): Spring 2013 Wenders in Motion: A Study On The Way Of Characterization In Wim Wenders’ Road Movies Abstract   PDF
Erman Pehlivan
 
Vol 7, No 1 (2018): Spring 2018 What’s in the Backdrop: Representation of Landscape in Bollywood Cinema Abstract   PDF
Naveen Mishra
 
Vol 8, No 2 (2020): Fall 2020 Wild Pear Trees, Patrimonial Legacies: Father-Son Relationship in Nuri Bilge Ceylan's The Wild Pear Tree Abstract   PDF
Coşkun Liktor
 
Vol 6, No 2 (2017): Fall 2017 Women in the Cinema of Nuri Bilge Ceylan Abstract   PDF
Funda Masdar Kara, Şakir Eşitti
 
Vol 6, No 2 (2017): Fall 2017 Women Trauma and Stereotype Tradition in Tunde Kelani’s Film, Thunderbolt Abstract   PDF
Olugbenga Elegbe
 
Vol 6, No 1 (2017): Spring 2017 Zippo Marx Abstract   PDF
Robin Aaron Bright
 
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