Browse Title Index


 
Issue Title
 
Vol 7, No 2 (2019): Spring/Summer 2019 Samsara documentary: narrative and discourse analysis and a possible interpretation Abstract   PDF
Ricardo Henrique Almeida Dias
 
Vol 5, No 2 (2016): Spring 2016 Screening the Urban: An Analysis of the Urban Life and Subjectivities in the Assamese Films of Bhabendra Nath Saikia and Jahnu Barua Abstract   PDF
Minakshi Dutta
 
Vol 1, No 2 (2012) Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production) Abstract   PDF
Silvia R Tandeciarz
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication Sedimentations: Some Thoughts on Schoenberg’s Musical Accompaniment to a Cinematographic Scene Abstract   PDF
David Ryan
 
Vol 1, No 2 (2012) Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light Abstract   PDF
Esma Kartal
 
Vol 8, No 2 (2020): Fall 2020 Shattered Identity of Immigrant Artist and Creation of Art in a Hybridized Space: The Case Study of A Girl Walks Home Alone at Night Abstract   PDF
Hoda Shabrang
 
Vol 5, No 1 (2015): Fall 2015 Sleaze, Slur... and the Search for a Sanitized Identity: Bhojpuri Media at a Crossroads Abstract   PDF
Madhusri Shrivastava
 
Vol 7, No 2 (2019): Spring/Summer 2019 Star Wars: The Force Awakens [the Western Pleasure Principle] Abstract   PDF
Alexander S Rose
 
Vol 6, No 2 (2017): Fall 2017 Stereotype Representation of Women in Nigerian Films Abstract   PDF
Andrew Ali Ibbi
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication Strangers No More: the Initial Hitchcock murder Abstract   PDF
Vlad Dima
 
Vol 4, No 1 (2014): Fall 2014 Subtitling in the Nigerian Film Industry, Informative or Misleading? Abstract   PDF
Andrew Ali Ibbi
 
Vol 3, No 2 (2014): Spring 2014 Technology and the Turkish Mind: Internet Animation as Counter Culture in Turkey Abstract   PDF
Murat Akser
 
Vol 2, No 2 (2013): Spring 2013 The American Dark Ages and the Terrorist Witch in Season of the Witch Abstract   PDF
Tom Vercruysse
 
Vol 6, No 1 (2017): Spring 2017 The architecture of David Lynch Abstract   PDF
Shannon Blake Skelton
 
Vol 1, No 2 (2012) The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance Abstract   PDF
Basak Göksel Demiray
 
Vol 7, No 1 (2018): Spring 2018 The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya Abstract   PDF
Richard Andrew Voeltz
 
Vol 3, No 1 (2013): Fall 2013 The Body As Cogito: A Certain Contemporary Film In The Light of Merleau-Ponty Abstract   PDF
Julio Bezerra
 
Vol 4, No 1 (2014): Fall 2014 The City on Screen: A Methodological Approach on Cinematic City Studies Abstract   PDF
Sertaç Timur Demir
 
Vol 8, No 2 (2020): Fall 2020 The Effects of Film Illumination Hues – An Exploration Study Abstract   PDF
Mustafa Mahmoud Yousry Matbouly
 
Vol 7, No 2 (2019): Spring/Summer 2019 The Homosexual Male Gaze: Normalizing Homosexuality through the Use of Heteronormative Narrative Techniques in Film Abstract   PDF
Lauren Rohrs
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication The IMAGES Project (www.images-1.over-blog.org) and the IMAGES Project 2011 Publication IMAGES - Films as Spaces of Cultural Encounter Details   PDF
Veronika Bernard, Serhan Oksay
 
Vol 2, No 1 (2012): Fall 2012 The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 Abstract   PDF
Nick Redfern
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication The Language of Colours. A Semiotic Analysis of Colours and Symbolic Imagery in Francis Ford Coppola’s "Bram Stoker’s Dracula" (1992) Abstract   PDF
Veronika Bernard
 
Vol 6, No 1 (2017): Spring 2017 The last laugh: Strange humors of cinema Abstract   PDF
Dorian Bowen
 
Vol 6, No 2 (2017): Fall 2017 The Orientation of Future Cinema: Technology, Aesthetics, Spectacle Abstract   PDF
Anthony James Ballas
 
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