Browse Title Index


 
Issue Title
 
Vol 4, No 1 (2014): Fall 2014 Subtitling in the Nigerian Film Industry, Informative or Misleading? Abstract   PDF
Andrew Ali Ibbi
 
Vol 3, No 2 (2014): Spring 2014 Technology and the Turkish Mind: Internet Animation as Counter Culture in Turkey Abstract   PDF
Murat Akser
 
Vol 2, No 2 (2013): Spring 2013 The American Dark Ages and the Terrorist Witch in Season of the Witch Abstract   PDF
Tom Vercruysse
 
Vol 6, No 1 (2017): Spring 2017 The architecture of David Lynch Abstract   PDF
Shannon Blake Skelton
 
Vol 1, No 2 (2012) The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance Abstract   PDF
Basak Göksel Demiray
 
Vol 3, No 1 (2013): Fall 2013 The Body As Cogito: A Certain Contemporary Film In The Light of Merleau-Ponty Abstract   PDF
Julio Bezerra
 
Vol 4, No 1 (2014): Fall 2014 The City on Screen: A Methodological Approach on Cinematic City Studies Abstract   PDF
Sertaç Timur Demir
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication The IMAGES Project (www.images-1.over-blog.org) and the IMAGES Project 2011 Publication IMAGES - Films as Spaces of Cultural Encounter Details   PDF
Veronika Bernard, Serhan Oksay
 
Vol 2, No 1 (2012): Fall 2012 The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 Abstract   PDF
Nick Redfern
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication The Language of Colours. A Semiotic Analysis of Colours and Symbolic Imagery in Francis Ford Coppola’s "Bram Stoker’s Dracula" (1992) Abstract   PDF
Veronika Bernard
 
Vol 6, No 1 (2017): Spring 2017 The last laugh: Strange humors of cinema Abstract   PDF
Dorian Bowen
 
Vol 3, No 1 (2013): Fall 2013 The Otolith Group’s “Monuments to Dead Television.” Independent Cinema and the Migrant Experience in Europe between Television and the Museum Abstract   PDF
Beatrice Ferrara
 
Vol 6, No 1 (2017): Spring 2017 The politics of spectatorship in the Tree of Wooden Clogs Abstract   PDF
Ian Dwayne Pettigrew
 
Vol 5, No 1 (2015): Fall 2015 The Problem of Homosexuality: Desire-in-Uneasiness, Friendship, Family, Freedom Abstract   PDF
Brian Bergen-Aurand
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication The Relation between Hollywood and the New Threat Perception of the USA after the End of the Cold War from the Perspective of Postmodernism Abstract   PDF
Derya Deger
 
Vol 3, No 1 (2013): Fall 2013 The Role Of The Refugee And The Impact Of Fragmented Identities In Diasporic Filmmakers. A Review Of Dogville By Lars von Trier Abstract   PDF
Sara Marino
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication The Special Issue Editors Details   PDF
Veronika Bernard, Serhan Oksay, Vedat Akman, Murat Akser
 
Vol 2, No 2 (2013): Spring 2013 The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father Abstract   PDF
C.S.H.N. Murthy, Oinam Bedajit Meitei, Dapkupar Tariang
 
Vol 1, No 2 (2012) The Thin Blue Line: How can we destroy actuality with editing? Abstract   PDF
Özlem Tuğçe Kaymaz
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication The Wing Beat of the Butterfly. The Causality of Asymmetric Cultural Encounters and Escalation in Babel (2006) and Valley of Wolves – Iraq/ Kurtlar Vadisi – Irak (2006) Abstract   PDF
Veronika Bernard
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication The ‘Return to Home’: The Musical Construction of a Common Trope in New Turkish Cinema Abstract   PDF
Paul Hartley
 
Vol 1, No 2 (2012) To Find Is To Choose, To Choose Is To Create: Culture(s) in Cinematic and Architectural Space(s) Abstract   PDF
Asu Besgen
 
Vol 3, No 2 (2014): Spring 2014 Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira Abstract   PDF
Susana Viegas
 
Vol 5, No 2 (2016): Spring 2016 Tragicomedy, Melodrama, and Genre in Early Sound Films: The Case of Two “Sad Clown” Musicals Abstract   PDF
Michael G. Garber
 
Vol 1, No 2 (2012) Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Abstract   PDF
Selen Gokcem
 
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