| Issue | Title | |
| Vol 4, No 1 (2014): Fall 2014 | Subtitling in the Nigerian Film Industry, Informative or Misleading? | Abstract PDF |
| Andrew Ali Ibbi | ||
| Vol 3, No 2 (2014): Spring 2014 | Technology and the Turkish Mind: Internet Animation as Counter Culture in Turkey | Abstract PDF |
| Murat Akser | ||
| Vol 2, No 2 (2013): Spring 2013 | The American Dark Ages and the Terrorist Witch in Season of the Witch | Abstract PDF |
| Tom Vercruysse | ||
| Vol 6, No 1 (2017): Spring 2017 | The architecture of David Lynch | Abstract PDF |
| Shannon Blake Skelton | ||
| Vol 1, No 2 (2012) | The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance | Abstract PDF |
| Basak Göksel Demiray | ||
| Vol 3, No 1 (2013): Fall 2013 | The Body As Cogito: A Certain Contemporary Film In The Light of Merleau-Ponty | Abstract PDF |
| Julio Bezerra | ||
| Vol 4, No 1 (2014): Fall 2014 | The City on Screen: A Methodological Approach on Cinematic City Studies | Abstract PDF |
| Sertaç Timur Demir | ||
| CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication | The IMAGES Project (www.images-1.over-blog.org) and the IMAGES Project 2011 Publication IMAGES - Films as Spaces of Cultural Encounter | Details PDF |
| Veronika Bernard, Serhan Oksay | ||
| Vol 2, No 1 (2012): Fall 2012 | The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 | Abstract PDF |
| Nick Redfern | ||
| CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication | The Language of Colours. A Semiotic Analysis of Colours and Symbolic Imagery in Francis Ford Coppola’s "Bram Stoker’s Dracula" (1992) | Abstract PDF |
| Veronika Bernard | ||
| Vol 6, No 1 (2017): Spring 2017 | The last laugh: Strange humors of cinema | Abstract PDF |
| Dorian Bowen | ||
| Vol 3, No 1 (2013): Fall 2013 | The Otolith Group’s “Monuments to Dead Television.” Independent Cinema and the Migrant Experience in Europe between Television and the Museum | Abstract PDF |
| Beatrice Ferrara | ||
| Vol 6, No 1 (2017): Spring 2017 | The politics of spectatorship in the Tree of Wooden Clogs | Abstract PDF |
| Ian Dwayne Pettigrew | ||
| Vol 5, No 1 (2015): Fall 2015 | The Problem of Homosexuality: Desire-in-Uneasiness, Friendship, Family, Freedom | Abstract PDF |
| Brian Bergen-Aurand | ||
| CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication | The Relation between Hollywood and the New Threat Perception of the USA after the End of the Cold War from the Perspective of Postmodernism | Abstract PDF |
| Derya Deger | ||
| Vol 3, No 1 (2013): Fall 2013 | The Role Of The Refugee And The Impact Of Fragmented Identities In Diasporic Filmmakers. A Review Of Dogville By Lars von Trier | Abstract PDF |
| Sara Marino | ||
| CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication | The Special Issue Editors | Details PDF |
| Veronika Bernard, Serhan Oksay, Vedat Akman, Murat Akser | ||
| Vol 2, No 2 (2013): Spring 2013 | The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father | Abstract PDF |
| C.S.H.N. Murthy, Oinam Bedajit Meitei, Dapkupar Tariang | ||
| Vol 1, No 2 (2012) | The Thin Blue Line: How can we destroy actuality with editing? | Abstract PDF |
| Özlem Tuğçe Kaymaz | ||
| CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication | The Wing Beat of the Butterfly. The Causality of Asymmetric Cultural Encounters and Escalation in Babel (2006) and Valley of Wolves – Iraq/ Kurtlar Vadisi – Irak (2006) | Abstract PDF |
| Veronika Bernard | ||
| CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication | The ‘Return to Home’: The Musical Construction of a Common Trope in New Turkish Cinema | Abstract PDF |
| Paul Hartley | ||
| Vol 1, No 2 (2012) | To Find Is To Choose, To Choose Is To Create: Culture(s) in Cinematic and Architectural Space(s) | Abstract PDF |
| Asu Besgen | ||
| Vol 3, No 2 (2014): Spring 2014 | Towards a Singular Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira | Abstract PDF |
| Susana Viegas | ||
| Vol 5, No 2 (2016): Spring 2016 | Tragicomedy, Melodrama, and Genre in Early Sound Films: The Case of Two “Sad Clown” Musicals | Abstract PDF |
| Michael G. Garber | ||
| Vol 1, No 2 (2012) | Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man | Abstract PDF |
| Selen Gokcem | ||
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ISSN 2159-2411 (print) 2158-8724 (online)