| Issue | Title | |
| Vol 6, No 1 (2017): Spring 2017 | Same-sex love in Muslim cultures through the lens of Hindustani Cinema | Abstract PDF |
| Ayesha Arfeen | ||
| Vol 5, No 2 (2016): Spring 2016 | Screening the Urban: An Analysis of the Urban Life and Subjectivities in the Assamese Films of Bhabendra Nath Saikia and Jahnu Barua | Abstract PDF |
| Minakshi Dutta | ||
| Vol 1, No 2 (2012) | Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production) | Abstract PDF |
| Silvia R Tandeciarz | ||
| CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication | Sedimentations: Some Thoughts on Schoenberg’s Musical Accompaniment to a Cinematographic Scene | Abstract PDF |
| David Ryan | ||
| Vol 1, No 2 (2012) | Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light | Abstract PDF |
| Esma Kartal | ||
| Vol 5, No 1 (2015): Fall 2015 | Sleaze, Slur... and the Search for a Sanitized Identity: Bhojpuri Media at a Crossroads | Abstract PDF |
| Madhusri Shrivastava | ||
| Vol 4, No 1 (2014): Fall 2014 | Society Create Women; Germany Pale Mother | Abstract |
| Tuğçe Özlem Kaymaz | ||
| Vol 6, No 2 (2017): Fall 2017 | Stereotype Representation of Women in Nigerian Films | Abstract PDF |
| Andrew Ali Ibbi | ||
| CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication | Strangers No More: the Initial Hitchcock murder | Abstract PDF |
| Vlad Dima | ||
| Vol 4, No 1 (2014): Fall 2014 | Subtitling in the Nigerian Film Industry, Informative or Misleading? | Abstract PDF |
| Andrew Ali Ibbi | ||
| Vol 3, No 2 (2014): Spring 2014 | Technology and the Turkish Mind: Internet Animation as Counter Culture in Turkey | Abstract PDF |
| Murat Akser | ||
| Vol 2, No 2 (2013): Spring 2013 | The American Dark Ages and the Terrorist Witch in Season of the Witch | Abstract PDF |
| Tom Vercruysse | ||
| Vol 6, No 1 (2017): Spring 2017 | The architecture of David Lynch | Abstract PDF |
| Shannon Blake Skelton | ||
| Vol 1, No 2 (2012) | The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance | Abstract PDF |
| Basak Göksel Demiray | ||
| Vol 3, No 1 (2013): Fall 2013 | The Body As Cogito: A Certain Contemporary Film In The Light of Merleau-Ponty | Abstract PDF |
| Julio Bezerra | ||
| Vol 4, No 1 (2014): Fall 2014 | The City on Screen: A Methodological Approach on Cinematic City Studies | Abstract PDF |
| Sertaç Timur Demir | ||
| CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication | The IMAGES Project (www.images-1.over-blog.org) and the IMAGES Project 2011 Publication IMAGES - Films as Spaces of Cultural Encounter | Details PDF |
| Veronika Bernard, Serhan Oksay | ||
| Vol 2, No 1 (2012): Fall 2012 | The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 | Abstract PDF |
| Nick Redfern | ||
| CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication | The Language of Colours. A Semiotic Analysis of Colours and Symbolic Imagery in Francis Ford Coppola’s "Bram Stoker’s Dracula" (1992) | Abstract PDF |
| Veronika Bernard | ||
| Vol 6, No 1 (2017): Spring 2017 | The last laugh: Strange humors of cinema | Abstract PDF |
| Dorian Bowen | ||
| Vol 6, No 2 (2017): Fall 2017 | The Orientation of Future Cinema: Technology, Aesthetics, Spectacle | Abstract PDF |
| Anthony James Ballas | ||
| Vol 3, No 1 (2013): Fall 2013 | The Otolith Group’s “Monuments to Dead Television.” Independent Cinema and the Migrant Experience in Europe between Television and the Museum | Abstract PDF |
| Beatrice Ferrara | ||
| Vol 6, No 1 (2017): Spring 2017 | The politics of spectatorship in the Tree of Wooden Clogs | Abstract PDF |
| Ian Dwayne Pettigrew | ||
| Vol 5, No 1 (2015): Fall 2015 | The Problem of Homosexuality: Desire-in-Uneasiness, Friendship, Family, Freedom | Abstract PDF |
| Brian Bergen-Aurand | ||
| CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication | The Relation between Hollywood and the New Threat Perception of the USA after the End of the Cold War from the Perspective of Postmodernism | Abstract PDF |
| Derya Deger | ||
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This journal is published by the University Library System, University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press.
ISSN 2159-2411 (print) 2158-8724 (online)