|
Issue |
Title |
|
Vol 2, No 2 (2013): Spring 2013 |
Nostalgia for the Light: A ‘Documemory’ and The Conflict between History and Memory |
Abstract
PDF
|
Didem Durak |
|
Vol 5, No 1 (2015): Fall 2015 |
Of Genes and Germs: The Agenda of Health in Contemporary Hollywood |
Abstract
PDF
|
Elwin John |
|
Vol 7, No 1 (2018): Spring 2018 |
Order, Disobedience and Power in Kieslowski’s Dekalog |
Abstract
PDF
|
Janet Barış |
|
Vol 3, No 2 (2014): Spring 2014 |
Pan-American Highways: American Tourism to Mexico and 1950s Hollywood film |
Abstract
PDF
|
Stephanie Fuller |
|
Vol 6, No 2 (2017): Fall 2017 |
Panoptic Pranksters: Power, Space and Visibility in the Information Panopticon in Scare Campaign |
Abstract
PDF
|
Elloit Cardozo |
|
Vol 3, No 1 (2013): Fall 2013 |
Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship |
Abstract
PDF
|
Yasemin Kılınçarslan |
|
Vol 8, No 1 (2020): Winter 2020 |
Performing Heteronormativity: The Discourse of the College Hook up Culture and Sexuality |
Abstract
PDF
|
Ziya Toprak |
|
Vol 7, No 1 (2018): Spring 2018 |
Political Claustrophobia in Lars von Trier’s Europa and America Trilogies |
Abstract
PDF
|
Özlem Denli |
|
Vol 8, No 1 (2020): Winter 2020 |
Politics of Succession in Nollywood Films, Saworoide and Ikoka |
Abstract
PDF
|
Osakue S. Omoera, Chukwuma Anyanwu |
|
Vol 5, No 1 (2015): Fall 2015 |
Post-TV: Piracy, Cord-Cutting, and the Future of Television |
Abstract
PDF
|
Eleonora Maria Mazzoli |
|
Vol 5, No 2 (2016): Spring 2016 |
Power, command and violence in von Trier’s Manderlay. A political and philosophical analysis of pseudo-democracies. |
Abstract
PDF
|
Sara Marino |
|
Vol 7, No 1 (2018): Spring 2018 |
Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media |
Abstract
PDF
|
Zafer Parlak, Mehmet Işık |
|
Vol 3, No 2 (2014): Spring 2014 |
Preternatural Claims, Precarious Workers: The Content and Distribution of the Most Successfully Crowdfunded Documentary |
Abstract
PDF
|
Dugan Nichols |
|
Vol 8, No 2 (2020): Fall 2020 |
Production Design, Art Direction and Dramaturgy in the Turkish Cinema After 1990 |
Abstract
|
Serdar Yilmaz |
|
Vol 5, No 2 (2016): Spring 2016 |
Pueblos Silenciosos/Silent Comunities: Within the Grain, Against the Grain |
Abstract
PDF
|
Özge Karayalçın |
|
Vol 7, No 1 (2018): Spring 2018 |
Queer Theory and Brokeback Mountain |
Abstract
PDF
|
James Hodgson |
|
Vol 4, No 1 (2014): Fall 2014 |
Reading of the Architectural Identity via Cinema |
Abstract
PDF
|
Havva Alkan Bala |
|
Vol 7, No 2 (2019): Spring/Summer 2019 |
Reclaiming Subjectivities: A Psychoanalytic-Feminist Perspective on Item Songs in Contemporary Indian Cinema |
Abstract
PDF
|
Syed Zulkifil Haider Shah, Elijah Cory |
|
Vol 3, No 2 (2014): Spring 2014 |
Recurrence: A Filmosophic Re-thinking of A Long Story/ Uzun Hikaye |
Abstract
PDF
|
Basak Goksel Demiray |
|
Vol 5, No 1 (2015): Fall 2015 |
Reinventing Consumption Traditions through the Process of Unification of a Country: Understanding “Good Bye Lenin!” |
Abstract
PDF
|
Ece Ceren Engür |
|
Vol 1, No 1 (2011) |
Reinvigorating Film Studies: An Immodest Proposal |
Abstract
PDF
|
Murat Akser |
|
Vol 8, No 1 (2020): Winter 2020 |
Remembering Thomas Elsaesser and Peter Wollen |
Abstract
PDF
|
Murat Akser |
|
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication |
Re-Organizing Cultural Values: Vers le Sud by Laurent Cantet |
Abstract
PDF
|
Judith Michelmann |
|
Vol 2, No 1 (2012): Fall 2012 |
Response to “Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light” |
Abstract
PDF
|
Phoebe Pua |
|
Vol 8, No 1 (2020): Winter 2020 |
Rethinking Pornography within the Context of the New French Extremity: The Case of Baise-Moi |
Abstract
PDF
|
Sirin Fulya Erensoy |
|
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