Browse Title Index


 
Issue Title
 
Vol 3, No 1 (2013): Fall 2013 Law, Urban Violence and Order: Cop Shows as a Brazilian TV Genre Abstract   PDF
Luiza Lusvarghi
 
Vol 2, No 2 (2013): Spring 2013 Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography Abstract   PDF
Donna Ong
 
Vol 2, No 1 (2012): Fall 2012 Memory, Identity and Desire: A Psychoanalytic Reading of David Lynch’s Mulholland Drive Abstract   PDF
Murat Akser
 
Vol 5, No 1 (2015): Fall 2015 Monstrosity and War Memories in Latin American Post-conflict Cinema Abstract   PDF
Maria Chiara D'Argenio
 
Vol 4, No 1 (2014): Fall 2014 Mulholland Drive: An Intertextual Reading Abstract   PDF
Ebrahim Barzegar
 
Vol 2, No 1 (2012): Fall 2012 Music, Magic, and the Mythic: The Dynamics of Visual and Aural Discourse in Souleymane Cissé’s Yeelen Abstract   PDF
Alexander Fisher
 
Vol 2, No 2 (2013): Spring 2013 Nation, Genre and Female Performance in Canadian Cinema Abstract   PDF
Murat Akser
 
Vol 1, No 2 (2012) Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s) Abstract   PDF
Rowena Santos Aquino
 
Vol 4, No 1 (2014): Fall 2014 New Media and Film Festivals in the Middle East Abstract   PDF
Murat Akser
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication New Turkish Cinema – Some Remarks On The Homesickness Of The Turkish Soul Abstract   PDF
Agnieszka Ayşen Kaim
 
Vol 2, No 2 (2013): Spring 2013 Nostalgia for the Light: A ‘Documemory’ and The Conflict between History and Memory Abstract   PDF
Didem Durak
 
Vol 5, No 1 (2015): Fall 2015 Of Genes and Germs: The Agenda of Health in Contemporary Hollywood Abstract   PDF
Elwin John
 
Vol 3, No 2 (2014): Spring 2014 Pan-American Highways: American Tourism to Mexico and 1950s Hollywood film Abstract   PDF
Stephanie Fuller
 
Vol 3, No 1 (2013): Fall 2013 Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship Abstract   PDF
Yasemin Kılınçarslan
 
Vol 5, No 1 (2015): Fall 2015 Post-TV: Piracy, Cord-Cutting, and the Future of Television Abstract   PDF
Eleonora Maria Mazzoli
 
Vol 5, No 2 (2016): Spring 2016 Power, command and violence in von Trier’s Manderlay. A political and philosophical analysis of pseudo-democracies. Abstract   PDF
Sara Marino
 
Vol 3, No 2 (2014): Spring 2014 Preternatural Claims, Precarious Workers: The Content and Distribution of the Most Successfully Crowdfunded Documentary Abstract   PDF
Dugan Nichols
 
Vol 5, No 2 (2016): Spring 2016 Pueblos Silenciosos/Silent Comunities: Within the Grain, Against the Grain Abstract   PDF
Özge Karayalçın
 
Vol 4, No 1 (2014): Fall 2014 Reading of the Architectural Identity via Cinema Abstract   PDF
Havva Alkan Bala
 
Vol 3, No 2 (2014): Spring 2014 Recurrence: A Filmosophic Re-thinking of A Long Story/ Uzun Hikaye Abstract   PDF
Basak Goksel Demiray
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication Reflections of Traditional-Modern Dilemma and Use of Space in the Context of Symbolization of Contradictions in Yeşilçam Cinema Abstract
Inci Uzun, Didem AKYOL ALTUN
 
Vol 5, No 1 (2015): Fall 2015 Reinventing Consumption Traditions through the Process of Unification of a Country: Understanding “Good Bye Lenin!” Abstract   PDF
Ece Ceren Engür
 
Vol 1, No 1 (2011) Reinvigorating Film Studies: An Immodest Proposal Abstract   PDF
Murat Akser
 
CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication Re-Organizing Cultural Values: Vers le Sud by Laurent Cantet Abstract   PDF
Judith Michelmann
 
Vol 2, No 1 (2012): Fall 2012 Response to “Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light” Abstract   PDF
Phoebe Pua
 
51 - 75 of 131 Items << < 1 2 3 4 5 6 > >>