Vol. 7 No. 1 (2018): Spring 2018

Published: 2018-12-21

Editor's Note

Editorial

Bengisu Bayrak

1-4
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Articles

Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema

Murat Akser

5-29
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Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media

Zafer Parlak, Mehmet Işık

30-57
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Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony

Selma Köksal

58-71
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From Box Office to Memory: Telling Stories is not an Innocent Act

Ayla Kanbur

72-90
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Interpersonal Relations as a Tool to Film Directing

Caio Augusto Camargo Bogoni, Renate B. Michel

91-115
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What’s in the Backdrop: Representation of Landscape in Bollywood Cinema

Naveen Mishra

116-141
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Order, Disobedience and Power in Kieslowski’s Dekalog

Janet Barış

142-168
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The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya

Richard Andrew Voeltz

169-188
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Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994)

Emilie Herbert

189-204
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Going Beyond Boundaries: There is a Way and the Use of English Medium in Hausa Film Industry

Muhammad Muhsin Ibrahim, Aliyu Yakubu Yusuf

205-224
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Political Claustrophobia in Lars von Trier’s Europa and America Trilogies

Özlem Denli

225-237
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Let’s Make it American: American Remakes of the British Films

Elif Kahraman Dönmez

238-261
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Book Reviews

Film and Television Genres of the Late Soviet Era

Jeanine Pfahlert

262-266
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Comic Venus: Women and Comedy in American Silent Film

Patrick Adamson

267-271
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The War that Won't Die: The Spanish Civil War in Cinema

Sarah Lonsdale

272-276
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Queer Theory and Brokeback Mountain

James Hodgson

277-282
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Global Cinematic Cities: New Landscape of Film and Media

Maria Korolkova

283-286
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